Protected: Policing Sound Tools: Disputing the LRAD, Sonic-Spatial Traps, and Protesters’ Rights

Works Cited

Abu Hamdan, Lawrence. “Aural Contract: Forensic Listening and the Reorganization of the Speaking Subject.” In Forensis: The Architecture of Public Truth, edited by Anselm Franke and Eyal Weizman. Sternberg Press, 2014.

Alexander, Leslie. “Slavery and the Making of Modern-Day Policing.” Unpublished manuscript, 2021.

Barnett, Randy E. “Compensation and Rights in the Liberal Conception of Justice.” In Compensatory Justice, edited by John W. Chapman. NYU Press, 1991.

Casillas, Dolores Inés and Jennifer Lynn Stoever. “Listening to Racial Injustice.” In Race and Media: Critical Approaches, edited by Lori Kido Lopez. New York University Press, 2020.

Crocker, Thomas P. “Displacing Dissent: The Role of ‘Place’ in First Amendment Jurisprudence,” Fordham Law Review 75 (2007): 2587-2639. https://ir.lawnet.fordham.edu/flr/vol75/iss5/15/.

Cusick, Suzanne. “Music as Torture/Music as Weapon.” TRANS: Revista Transcultural de Música / Transcultural Music Review 10 (2006). https://www.sibetrans.com/trans/articulo/152/music-as-torture-music-as-weapon.

Davison, Neil. Non-Lethal Weapons. Palgrave Macmillan, 2009.

Erlmann, Veit. “The Acoustic Abject: Sound and the Legal Imagination.” In Sound Objects, edited by James A. Steintrager and Rey Chow. Duke University Press, 2019.

Gates, Kelly. “The Work of Wearing Cameras: Body-Worn Devices and Police Media Labor.” In The Routledge Companion to Labor and Media, edited by Richard Maxwell. Routledge, 2015.

Gobinet, Pierre. “Procurement and Policy: Police Use of Emerging Weapons Technology.” In Small Arms Survey 2011: States of Security, edited by Eric G. Berman, Keith Krause, Emile LeBrun, and Glenn McDonald. Cambridge University Press, 2011.

Goodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. MIT Press, 2010.

Manabe, Noriko. The Revolution Will Not Be Televised: Protest Music after Fukushima. Oxford University Press, 2015.

New York City Commission on Human Rights, Black New Yorkers on their Experience with Anti-Black Racism. New York City Commission on Human Rights, 2020. https://www.nyc.gov/assets/cchr/downloads/pdf/publications/AntiBlackRacism_Report.pdf.

Ouzounian, Gascia. “Counterlistening.” ESC: English Studies in Canada 46, nos. 2–4 (June/September/December 2020): 311–17. Published May 2023. Special issue, “New Sonic Approaches in Literary Studies.” https://doi.org/10.1353/esc.2020.a903549.

Parker, James. “Sonic Lawfare: On the Jurisprudence of Weaponised Sound.” Sound Studies 5, no. 1 (2019): 72-96. https://doi.org/10.1080/20551940.2018.1564458.

Puar, Jasbir K. The Right to Maim: Debility, Capacity, Disability. Duke University Press, 2017.

Radovac, Lilian. “The ‘War on Noise’: Sound and Space in La Guardia’s New York.” American Quarterly 63, no. 3 (2011): 733–60. https://doi.org/10.1353/aq.2011.0038.

———. “Mic Check: Occupy Wall Street and the Space of Audition.” Communication and Critical/Cultural Studies 11, no. 1 (2014): 34–41. https://doi.org/10.1080/14791420.2013.829636.

Rios, Jodi. Black Lives and Spatial Matters. Cornell University Press, 2020.

Sussman, Aaron. “Shocking the Conscience: What Police Tasers and Weapon Technology Reveal About Excessive Force Law.” UCLA Law Review 59, no. 5 (2012): 1342–416. https://www.uclalawreview.org/shocking-the-conscience-what-police-tasers-and-weapon-technology-reveal-about-excessive-force-law/.

Stoever, Jennifer Lynn. The Sonic Color Line: Race and the Cultural Politics of Listening. New York University Press, 2016.

US Department of Justice. After-Action Assessment of the Police Response to the August 2014 Demonstrations in Ferguson, Missouri. Office of Community Oriented Policing Services, 2015.

Valdés, Vanessa K. “Spaces of Sounds: The Peoples of the African Diaspora and Protest in the United States.” SoundingOut! December 12, 2016. https://soundstudiesblog.com/2016/12/12/spaces-of-sounds-protest-in-the-united-states-and-the-peoples-of-the-african-diaspora/.

Vilanova, John. “Noise-Making, Occupy Wall Street, and the Politics of Amplification.” Resonance: The Journal of Sound and Culture 2, no. 2 (2021): 264–80. https://doi.org/10.1525/res.2021.2.2.264.

Wall, Tyler and Travis Linnemann. “No Chance: The Secret of Police, or the Violence of Discretion.” Social Justice 47, nos. 3–4 (2021): 77–94. https://www.jstor.org/stable/27094594.

Weizman, Eyal. The Least of All Possible Evils: Humanitarian Violence from Arendt to Gaza. Verso, 2011.

Zick, Timothy. “Speech and Spatial Tactics.” Texas Law Review 84, no. 3 (2006): 581–651.

Zuazu, María Edurne. “Acoustic Hailing Devices: Securitisation and Sound Technologies.” Sound Studies 10, no. 1 (2024): 3–25. https://doi.org/10.1080/20551940.2024.2304423.

———. “Be Heard: Acoustic Hailers as Technologies of Not Listening.” Musicology Now, July 5, 2021. https://doi.org/10.63473/PGBQ5832.

———. “Loud but Non-lethal: Acoustic Stagings and State-Sponsored Violence.” Women and Music: A Journal of Gender and Culture 19 (2015): 151–9. https://dx.doi.org/10.1353/wam.2015.0002.