Jonathan P. Eburne, "Adoptive Affinities: Josephine Baker's Humanist International" (page 6 of 6)

Moreover, the symbolic nature of Baker's rainbow tribe mobilized Frenchness as a means for counteracting race relations in the United States. As Mary Dudziak has shown, Baker's civil rights activities of the 1950s, however unradical they might have seemed, were targeted by the F.B.I. and the State Department, who severely curtailed Baker's ability to travel through the U.S., Cuba, and South America.[15] Les Milandes—and Baker's adoptive affinities—became a means for staging Baker's civil rights activities from abroad. A New York Times article, published in 1963, several months after Baker marched in the August 28 Civil Rights March on Washington, suggests how much Baker was thinking of Les Milandes in terms of U.S. racial politics. As the article reads:

Well aware that her own family United Nations is made possible by an artificially created environment, she is doubtful whether a similar project could be successful here at this time. "Actually I haven't been here long enough to say [...] Things are changing here so fast, but I don't know if we are ready yet."[16]

Baker's response that "I don't know if we are ready yet" suggests the degree to which the "we" of the rainbow tribe was always directed as a response to the "we" of the United States. Baker's adoptive family served as a symbolic means for confronting the United States with an image of the humanistic possibility that it could then only imagine in the abstract. Baker's adoptive project may have been dedicated to the global eradication of racial intolerance—as Margo Jefferson put it, she wished to transform race from a caste into a palette; all the same, Baker's attention remained focused on the politics of race in the U.S. Baker's appeal to universal brotherhood fell short of confronting other racisms and colonialisms as stridently as those she confronted in the U.S., and the pluralistic ideology that fueled the rainbow tribe was developed at the expense of Baker's participation in other contemporary movements in black internationalism. Yet Baker's adoptive practices were no less strategic in their conception as a symbolic act; far from striving to eradicate race altogether, the pluralistic humanism of Baker's global village was, however depoliticized, forged in the name of the civil rights movement in the United States.

Endnotes

1. See Garry Davis's online archive (http://www.garrydavis.org/archive.html). [Return to text]

2. UN Charter; Davis, Oran Declaration, Nov. 22, 1948. [Return to text]

3. Breton, "La Paix par nous-mêmes," Franc-tireur, ctd. in José Pierre, ed. Tracts surréalistes et déclarations collectives, Volume 2 (1939-1969). Paris: Terrain Vague, 1982. [Return to text]

4. Letter from Josephine Baker to Jo Bouillon, Josephine Baker archives, Emory University Special Collections. [Return to text]

5. The posters, which now form part of the Josephine Baker collection at Emory University's Special Collections Library, were designed by the Scandinavian artists Inger Kihlman and Leif Kristensen. [Return to text]

6. Notably, there is no flag of the U.S. in the poster's composition. While hardly an adamant form of political expression, this exclusion suggests the extent to which Baker's internationalist project was, however neutrally it voiced its pluralism, tied to an implicit rejection of U.S. domestic and international policy. [Return to text]

7. For treatments of this notion see, for instance, Benetta Jules-Rosette, Josephine Baker in Art and Life: The Icon and the Image. Champaign: University of Illinois Press, 2007; Phyllis Rose, Jazz Cleopatra: Josephine Baker in Her Time. New York: Doubleday, 1989. [Return to text]

8. Letter to William Taub, Emory University Special Collections. [Return to text]

9. Josephine Baker and Jo Bouillon, Josephine. Trans. Mariana Fitzpatrick. New York, Harper and Row, 1977, ix-x. [Return to text]

10. Josephine, 237; 248. [Return to text]

11. Ishmael Reed, "Remembering Josephine, by Stephen Papich," New York Times Book Review, December 12, 1972; 2. [Return to text]

12. Johann Wolfgang von Goethe, Elective Affinities, trans. James Anthony Froude and R. Dillon Boylan. New York: Frederick Ungar, 1962; 37. [Return to text]

13. See Janot's anecdote of the dog suckling the thirteenth pig—an anecdote attributed to Jo Bouillon—in Josephine, 208. [Return to text]

14. Ctd. Steven Papich, Remembering Josephine. Indianapolis and New York: Bobbs-Merrill, 1976. [Return to text]

15. Mary L. Dudziak, "Josephine Baker, Racial Protest, and the Cold War." The Journal of American History, Vol. 81, No. 2 (Sep., 1994), pp. 543-570. [Return to text]

16. Jane Cook, "Josephine Baker Rears an International Family," New York Times, Oct. 17, 1963; 42. [Return to text]

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