Dylan Rodríguez,
"'I Would Wish Death on You...' Race, Gender, and Immigration in the Globality of the U.S. Prison Regime"
(page 8 of 9)
Conclusion: the Idiom of Abolition
The prison regime is the organic descendant of durable and
gender-specific mobilizations of anti-black geopolitical and
socioeconomic containment—what Massey and Denton have called an
authentic "American Apartheid"[22]—and programmatic state terror
vis-à-vis domestic police ground wars (alternately named in state
popular cultural productions as "wars" on crime, drugs, and terror),
which can themselves be conceptualized as apparatuses of civil
elimination that approximate and rearticulate slavery's fundamental
"idiom of power": social death. Orlando Patterson's comparative
archaeology of slavery's originating vernaculars of social order, natal
alienation, and property dominion (in which he visits upon the slave
orders of Rome, Greece, China, and medieval Europe, as well as the
"racial" enactments of slavery in the Americas) suggests "two ways in
which social death was represented and culturally 'explained,' depending
on the dominant early mode of recruiting slaves." Marking the schematic
relation between "intrusive" and "extrusive" modalities, Patterson's
conception of slaveholding societies' ideological ordering facilitates
an excavation of the global present that re-centers (racial) slavery as
constitutive to the social genetics of Western civilization in the
post-conquest period:
In the intrusive mode of representing social death the
slave was ritually incorporated as the permanent enemy on the inside—the
"domestic enemy," as he was known in medieval Tuscany. He did not and
could not belong because he was the product of a hostile, alien culture.
He stood, on the one hand, as a living affront to the local gods, an
intruder in the sacred space....
In sharp contrast with the intrusive conception of death
was the extrusive representation. Here the dominant image of the slave
was that of an insider who had fallen, one who ceased to belong and had
been expelled from normal participation in the community because of a
failure to meet certain minimal legal or socioeconomic norms of
behavior. The destitute were included in this group, for while they
perhaps had committed no overt crime their failure to survive on their
own was taken as a sign of innate incompetence and divine disfavor.[23]
To critically theorize the structuring racial vernaculars of
American national formation and contemporary globality suggests a
particular elaboration of Patterson's schema: the historical formation
of white supremacist state and state-sanctioned violence inscribes the
centrality of (anti-black) social death as the fundamental historical
idiom of power defining the convergence and mutual constitution
between "racial" regimes and "carceral" regimes.
By invoking Patterson's well-known theorization of slavery's unique
production of societal and interpersonal domination, I do not mean to
posit a simplistic metaphorical or vulgar comparative depiction that
vaguely metaphorizes the historical and institutional symbiosis between
the U.S. prison and slave plantation. Rather, I am invoking a conception
of the prison regime as a particular "formation of violence,"[24] which
in turn anchors the contemporary articulation of white supremacy as a
global technology of coercion and hegemony. Feldman writes:
The growing autonomy of violence as a self-legitimating
sphere of social discourse and transaction points to the inability of
any sphere of social practice to totalize society. Violence itself both
reflects and accelerates the experience of society as an incomplete
project, as something to be made.[25]
The contemporary American carceral apparatus, as a material artifact
and technological blueprinting of global dominance, derives its
significance as a fathomable and culturally accessible production of
power from the institutionalized collapsing of state violence into the
multiple "incomplete projects" of U.S. social formation in its local and
global habitats. In this sense, the specificity and irreducibility of
the U.S. prison regime as a formation of racial and white supremacist
violence, and its centrality to the viability of the United States as
both a national and global hegemony, is only partially signified by its
institutional massiveness. While I will refrain here from rehashing the
typical statistical abstractions and evidentiary laundry lists of
empirical data that indicate and affirm the essential racialization—and
racism—of the American criminal justice apparatus (heeding Angela Y.
Davis' contention that "unmediated use of such statistical evidence ... can
discourage the very critical thinking that ought to be elicited by an
understanding of the prison industrial complex"[26]), I would
additionally argue that such statistical litanies do not always
sufficiently reflect the constitutive logics of power and
dominance that the U.S. prison regime simultaneously prototypes,
institutionalizes, and mobilizes in our global moment. Hence, I am
insisting on the theoretical importance—if not outright primacy—of
radical genealogy over conventional criminological methodology.
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