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Double Issue: Volume 3, Number 3, Volume 4, Number 1, Fall 2005 Janet Jakobsen, David Hopson, Editors
The Scholar and Feminist XXX
Past Controversies, Present Challenges
Future Feminisms
About this Issue
Introduction
About the Contributors


Issue 3.3/4.1 Homepage

Contents
·Past Conferences Overview
·Programs by Year
·Directory of Participants

Past Conferences

THE SCHOLAR AND THE FEMINIST XXIII:
WOMEN IN FILM:
IMAGES AND IMAGE MAKERS

March 28, 1998
Conference Program (PDF, 456 KB)

Morning Plenaries

Representations of Women in Film
Jami Bernard, Film Critic, The New York Daily News
Daphne Merkin, Film Critic, The New Yorker
Suzanna Danuta Walters, Department of Sociology, Georgetown University
Patricia White, Film Studies, Swarthmore College and Programming Committee, NY Lesbian and Gay Film Festival

Afternoon "Breakout" Sessions
(Regrettably, panels 6 (Latina Representations) and 9 (Russian Cinema) have been cancelled)

  1. Two Funny Girls: Screening Judy Garland and Barbara Streisand
    Ann Pellegrini, Department of English and American Literature and Language, Harvard University
    Stacy Wolf, Departments of English and Theater & Dance, George Washington University
  2. Mae West in Theater and Film
    Emily Wortis Leider, author of Becoming Mae West (1997)
    Lillian Schlissel, Director Americna Studies, Brooklyn College
  3. Making Documentaries
    Deirdre Boyle, Graduate Media Studies Program, The New School
    Judith Helfand, Producer and Director of
    A Healthy Baby Girl
    Martha Sandlin, Documentary filmmaker, Guest Faculty, Sarah Lawrence College
  4. Women and Horror Films
    Valerie Manenti, PhD candidate, Cinema Studies, NYU
    Isabel Pinedo, Film and Media Studies, Hunter College
    Kirsten Moana Thompson, PhD candidate in Cinema Studies, NYU
  5. Carving a Movie Out of a Book: The Story of the Transformation of Cracking India Into Earth
    Bapsi Sidhwa, Novelist and visiting faculty at Mt. Holyoke and Brandeis University
  6. Religion, Race, and Gender: Films in Historical Perspective
    Judith Weisenfeld, Department of Religion, Barnard College
  7. Costuming and the Construction of Gender in Film
    Jane Gaines, Department of English and Literature, and Director, Film and Video Program, Duke University
    Richard Martin, Curator, The Costume Institute, The Metropolitan Museum of Art, and Department of Art History and Archaeology, Columbia University
  8. Lesbian and Film
    Martha Gever, Women's Studies, Barnard College
    Chris Straayer, Cinema Studies, New York University
  9. Women in Avant-Garde Film
    Jenifer Montgomery, Women's Studies, Barnard College
    Yvonne Rainer, Avant-garde filmmaker and performance artist
  10. How to Make a Low-Budget Feature Film
    Madeline Schwartzman, Filmmaker; Department of Architecture, Barnard College
  11. From Rosa To Juana: Aesthetics and Politics of Post-1970 Feminist Film Biography
    Jane Sloan, Women's Studies Librarian, Rutgers University

Afternoon Plenary Session

Women and the Practice of Filmmaking
Moderated by Mary-Ann Hobel, Producer, Tender Mercies, Co-Chair Hobel Productions (film production company) and The Cinema Guild, Inc. (Film distribution company)
Deborah Dickson, Independent Filmmaker. Works include
Frances Steloff: Memoirs of a Bookseller and Suzanne Farrell: Elusive Muse
Su Friedrich, Filmmaker. Directed Hide and Seek and other independent films
Leslie Harris, Screenwriter, Producer, Director of
Just Another Girl on IRT
Joan Micklin Silver, Writer and Director,
Hester Street; Director, Crossing Delancey
Linda Yellen, Producer, Director, Writer. Films include Northern Lights, Chantilly Lace, Sweet Bird of Youth
Debra Zimmerman, Executive Director, Women Make Movies

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Janet Jakobsen and David Hopson, Editors - ©2005.