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Volume 4, Number 2, Spring 2006 Nancy K. Miller and Victoria Rosner, Guest Editors
Writing a Feminist's Life:
The Legacy of Carolyn G. Heilbrun
About this Issue
Introduction
About the Contributors


Issue 4.2 Homepage

Contents
·Page 1
·Page 2
·Page 3
·Page 4
·Page 5

Printer Version

Mary Ann Caws, "Walking (Even Now) With Carolyn"
(page 5 of 5)

Joseph Cornell trying to hold on to his experiences, scribbling on napkins to mark his place in books, on catalogues, on envelopes, on record jackets, on anything he could find, cluttering up his study, his diary, his life, but caring so much to get everything down. Not to forget ever any moment.

I'm on my way home, early, to the boathouse, on my bike. Once in the park, I feel free.

My home is in the middle of Central Park. Like an anchor, that dilapidated building welcomes me. I am nervous until I finally push open the green door and go past the telephone - where I sometimes call Carolyn to see if we can walk, or Matthew [my son], to see if he can join me. At the counter, a few desultory remarks, the hot cup between my cold fingers.

I choose a table inside, by the windows, leave it for the terrace, where the old men are still sunning themselves with reflecting foil collars under their chins. I put my feet in their white Reeboks up on the railing, see the snow beneath the terrace, the ducks swimming in the lake delighted between the banks, the trees losing their white profiles as the sun starts up. (195-6)

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I've just seen my face in the mirror. Always a surprise. I look like my father, a thing I used to regret; but he had spunk and moral strength. My chin sticks out like his, as if I were determined. Don't know to do what.

Last night I dreamt of mother in a flowered dress, although she never wore a flowered dress to my knowledge. She was dancing, rather a modern dance, strangely, not her style. She smiled at me and went on dancing. I would have told Carolyn, but she's not here anymore. (196-7)

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Now that I look at it, my journal seems always to have been about coming home . . . no matter where I was. Or trying to find a home to come home to. (197)

The last part is called "Back to the Boathouse."

That smell of plaster of paris in my grandmother's dark-shingled mountain studio comes rushing in again with the sight of the morning glories pressing blue against the walls. An old ring made for her in Venice has replaced my wedding ring - I won't be taking that one off. The light in her eyes may reach over to me this morning, as if, no longer here, she could teach me all the same. Now is when I want to learn. Her energy is there somewhere, ready to be passed on. To me, and maybe from me. (202)

· · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · ·

This telling was once to be about growing up in the South. About some tanglings up and some clearing, and then about a boathouse farther north, another kind of home. It's a story and yet it's true, as far as I can see it. It's funny how it matters where you start being you. I started there, in the southern Tidewater. Now I live somewhere else, but not only. Grandmother knew home was wherever you were and decided to be and dwell. You are wherever you can speak from. I think I've found the right address. (204)

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Tools 4.2 Online Resources Recommended Reading S&F Online in the Classroom
S&F Online - Issue 4.2, Writing a Feminist's Life: The Legacy of Carolyn G. Heilbrun
Nancy K. Miller and Victoria Rosner, Guest Editors - ©2006.