Recommended Reading
Akass, Kim and Janet McCabe, eds. Reading Sex and the City.
London: I.B. Tauris, 2004.
Ball, Alan and Alan Poul, eds. Six Feet Under: Better Living
through Death. New York: Melcher Media, 2003.
Barreca, Regina. "Why I Like the Women in The Sopranos Even Though
I'm Not Supposed To." In A Sitdown with The Sopranos: Watching
Italian American Culture on TV's Most Talked-About Series, edited by
Barreca, 27-46. New York: Palgrave, 2002.
Brunsdon, Charlotte, Julie D'Acci, and
Lynn Spigel, eds. Feminist Television Criticism: A Reader.
Oxford: Clarendon, 1997.
Bogle, Donald. Toms, Coons, Mulattoes, Mammies, and Bucks: An
Interpretive History of Blacks in American Films. 3rd ed. New York:
Continuum, 1994.
Chase, David. "The Real Boss of The Sopranos." Interview by
Virginia Heffernan. The New York Times, February 29, 2004, late
edition (East coast), p. 2.1.
Clemetson, Lynette, et al. "Doing It All? Young Feminists Take On
Work, Family, and the Meaning of Success: A Panel Discussion."
Scholar and Feminist Online 2.3 (2004),
http://www.barnard.edu/sfonline/family/panel_01.htm.
D'Emilio, John. "Capitalism and Gay Identity." In The Lesbian and
Gay Studies Reader, edited by Henry Abelove, Michele Aina Barale,
and David M. Halperin, 467-76. London: Routledge, 1993.
Douglas, Susan. Where the Girls
Are: Growing up Female with the Mass Media. New York: Times,
1994.
Dow, Bonnie J. Prime-Time Feminism: Television, Media
Culture, and the Women's Movement since 1970. Philadelphia: U of
Pennsylvania P, 1996.
Fiske, John. Understanding Popular
Culture. Boston: Unwin Hyman, 1989.
Gardiner, Judith Kegan. "Introduction." Masculinity Studies and
Feminist Theory: New Directions. Edited by Gardiner, 1-29. New York:
Columbia University Press, 2002.
Guerrero, Ed. "The Black Image in Protective Custody: Hollywood's
Biracial Buddy Films of the Eighties." In Black American Cinema,
edited by Manthia Diawara. New York: Routledge, 1993.
Halberstam, Judith. "The Good, the Bad, and the Ugly: Men, Women, and
Masculinity." Gardner, Masculinity Studies and Feminist
Theory, 344-67.
Hochschild, Arlie Russell. The Commercialization of Intimate Life:
Notes from Home and Work. Berkeley: University of California Press,
2003.
hooks, bell. Reel to
Real: Race, Sex, and Class at the Movies. New York: Routledge,
1996.
Jenkins, Henry, Tara McPherson, and Jane Shattuc, eds.
Hop on Pop: The Politics and Pleasures of Popular Culture.
Durham: Duke UP, 2002.
Kellner, Douglas. Media Culture:
Cultural Studies, Identity, and Politics between the Modern and the
Postmodern. London: Routledge, 1995.
Kelly, Audrey. "Made Man: Hit After Hit, David Chase Ushers The
Sopranos into Big Time." Interview with David Chase. Fade In
6, no. 3. Excerpt available online,
http://www.fadeinonline.com/chase/interview/chase.html.
King, Neal and Martha McCaughey. "What's a Mean Woman Like You Doing
in a Movie Like This?" In Reel Knockouts: Violent Women in the
Movies. By King and McCaughey, 1Ð24. Austin: University of Texas
Press, 2001.
Kirkham, Pat and Beverley Skeggs. "Absolutely Fabulous:
Absolutely Feminist?" In Geraghty, C. and D. Lusted, eds., The
Television Studies Book. London: Arnold, 1998.
Lavery, David. This
Thing of Ours: Investigating The Sopranos. New York: Columbia UP,
2002.
Lloyd, Robert. "Mob Rules: David Chase on The Sopranos, the
Small Screen, and Rock and Roll." Interview with David Chase. LA
Weekly, March 16-22, 2001, http://www.laweekly.com/ink/printme.php?eid=23162.
Lotz, Amanda. "Postfeminist Television Criticism:
Rehabilitating Critical Terms and Identifying Postfeminist Attitudes."
Feminist Media Studies 1.1 (2001): 105-21.
Maddison, Stephen. Fags, Hags and Queer Sisters: Gender Dissent
and Heterosocial Bonds in Gay Culture. New York: St. Martin's Press,
2000.
Modleski, Tania. Feminism without Women: Culture and Criticism in
a "Postfeminist" Age. New York: Routledge, 1991.
Muñoz, José Esteban. Disidentifications: Queers of Color and
the Performance of Politics. Durham: Duke University Press,
1998.
Nelson, Robin. TV Drama in Transition: Forms, Values, and Cultural
Change. Basingstoke, UK: MacMillan, 1997.
Parsons, Deborah L. Streetwalking the Metropolis: Women, the
City, and Modernity. Oxford, UK: Oxford University Press, 2000.
Projansky, Sarah. Watching Rape: Film and Television in Postfeminist
Culture. New York: NYUP, 2001.
Russo, Mary. The Female Grotesque: Risk, Excess, and
Modernity. London: Routledge, 1995.
Shugart, Helene. "Reinventing Privilege: The New (Gay) Man in
Contemporary Popular Media." Critical Studies in Media
Communication 20.1 (March 2003): 67-91.
Tobin, Robert. "Six Feet Under and Post-Patriarchal Society."
Film and History 32 (2002): 87-8.
Tullock, John. Television Drama: Agency, Audience, and Myth.
London: Routledge, 1990.
Walters, Suzanna Danuta. Material Girls: Making Sense of Feminist Cultural Theory.
Berkeley: U California P, 1995.
Wilson, Sherryl. Oprah, Celebrity, and Formations of Self.
Basingstoke, UK: Palgrave, 2003.
Return to top
|
