Recommended Reading

Related to Michelle Citron's Work:

Barthes, Roland. Camera Lucida. Translated by Richard Howard. New York: Hill and Wang, 1981.

Citron, Michelle. Home Movies and Other Necessary Fictions. Minneapolis: University of Minnesota Press, 1999.

Hertzberg, Arthur. The Jews In America: Four Centuries of an Uneasy Encounter. New York: Simon and Schuster, 1989.

Hirsch, Marianne. Family Frames: Photography, Narrative, and Postmemory. Cambridge MA: Harvard University Press, 1997.

Shearman, John. Only Connect . . . Art and the Spectator in the Italian Renaissance. Princeton NY: Princeton University Press, 1992.

On Muriel Hasbun's Work:

Jacobson, Louis, "Her Past in Hiding", Washington City Paper (Washington, DC), July 16, 1999, 50.

Mundos Creados—Latin American Photography, (exhibition catalog), Noorderlicht Photofestival 2002, The Netherlands, 2002.

Políticas de la Diferencia: Arte Iberoamericano fin de siglo, (exhibition catalog), Generalitat Valenciana, Spain, 2001.

Snow, K. Mitchell, "Landscapes of Light," History of Photography (London) Vol. 23 No. 4, Winter 1999, pp. 364-369.

Sozanski, Edward J., "Redefining families in photos, portraits, The Philadelphia Inquirer, July 14, 2000, p. W32.

Related to Muriel Hasbun's Work:

Abramowicz, Myriam, and Esther Hoffenberg. Comme Si C'était Hier (film).

"A Singular Universe: Rescuers and Hidden Children", Dimensions, A Journal of Holocaust Studies, Vol. 7, Number 1, Anti-Defamation League, New York, 1993.

Calef, Noel (Nissim), Drancy 1941, Drancy la Faim, Serge Klarsfeld, ed. F.F.D.U.F., 1991.

Epstein, Helen, Children of the Holocaust. Penguin Books, 1979.

González, Nancie. Dollar, Dove & Eagle: One Hundred Years of Palestinian Migration to Honduras. Michigan University Press, Ann Arbor, 1991.

Halter, Marek. La Mémoire Inquiète. Ed. Robert Laffont, 1993.

Hirsch, Marianne. Family Frames: Photography, Narrative and Postmemory. Harvard University Press, 1997.

Hirsch, Marianne, ed. The Familial Gaze, University Press of New England, 1999.

Hirsch, Marianne, and Valerie Smith, ed. Signs: Journal of Women in Culture and Society, "Gender and Cultural Memory", Volume 28, Number 1, University of Chicago Press, Autumn 2002.

Klarsfeld, Serge. Le Calendrier de la Persécution des Juifs en France 1940-44. Les Fils des Deportés Juifs de France & Beate Klarsfeld Foundation, Paris, 1993.

Klarsfeld, Serge. Memorial to the Jews Deported from France, 1983.

Langer, Lawrence L. Holocaust Testimonies: The Ruins of Memory, Yale University Press, New Haven and London, 1991.

Lesser, Jeff, and Ignacio Klich, ed. Arab and Jewish Immigrants in Latin America Frank Cass Publishers, 1998.

Meyers, Odette, "The Return of the Secret Jews", in Remembering for the Future: The Impact of the Holocaust on Jews and Christians. Pergamon Press, 1989.

Perera, Victor. The Cross and the Pear Tree: A Sephardic Journey. Alfred A. Knopf, New York, 1995.

Valent, Paul, Child Survivors. William Henemann, Austalia, 1993.

Young, James E. The Texture of Memory: Holocaust Memorials and Meaning. Yale University Press, New Haven & London, 1993.

Young, James E. Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation. Indiana University Press, Bloomington and Indianapolis, 1988.

Zuccotti, Susan. The Holocaust, the French and the Jews. Basic Books, New York, 1993.

Related to Lorie Novak's Work:
Artist's Books + Exhibition Catalogues

Bourgeois, Louise. Album, artist's book. New York: Peter Blum Edition, Blumarts, Inc., 1994.

Burke, Bill. Mine Fields, artist's book. Atlanta: Nexus Press, 1995.

Cohen, Janie. Betrayal of Means/Means of Betrayal: Contemporary Art and the Photographic Experience, exhibition catalogue. Daytona Beach, FL: Southeast Museum of Photography, 1992.

Dorfman, Elsa. A Woman's Photojournal, artist's book. Boston: David R. Godine, 1974. See the online version.

Esders, Viviane, ed. Our Mothers: Portraits by 72 Women Photographers. New York: Stewart, Tabori, & Chang, 1996.

Flax, Carol. Some (M)Other Stories: A Parent(hetic)al Tale, artist's Book. Daytona Beach, FL: The Southeast Museum of Photography, 1995.

Fondin, Jean. Boyhood photos of Jacques Henri Lartique. Switzerland: A. Guichard, 1966.

Galassi, Peter. The Pleasures and Terrors of Domestic Comfort, exhibition catalogue. New York: The Museum of Modern Art, 1991.

Geibert, Ronald. Parents, exhibition catalogue. Dayton, OH: Dayton Art Institute, 1992.

Geibert, Ron, Barry Rosenberg, and Kathleen Peoples. Family Portraits, exhibition catalogue. Dayton, OH: Wright State University, 1981.

George, Alice Rose, Abigail Heyman, Ethan Hoffman, eds. Flesh & Blood. New York: Picture Project, 1992.

Kozo, Carolyn and Kathy Kobayashi, eds. Shades of LA: Pictures from Ethnic Family Albums. New York, NY: The New Press,1996.

Lanyon, Andrew. Snap! A Family Album. London: Gordon, Fraiser, 1974.

Lartique, Jacques Henri. Diary of a Century. New York: Penguin Books, 1970.

Lesy, Michael. Time Frames: The Meaning of Family Pictures. New York: Pantheon Books, 1980.

Nordstrom, Alison Devine. Telling Our Own Stories: Florida's Family Photographs, exhibition catalogue. Daytona Beach, FL: The Southeast Museum of Photography, 1997.

Nordstrom, Alison Devine. Re: Photography, Three Exhibitions, exhibition catalogue. Daytona Beach, FL: The Southeast Museum of Photography, 1994.

Scoates, Christopher. Make Yourself at Home, Race, Ethnicity, and the American Family, exhibition catalogue. Atlanta College of Art, 1995.

Siber, Mark, Fred W. Record, and Gilbert Wight Tilton. The Family Album; photographs of the 1890s & 1900s. Boston: D.R. Goldine, 1973.

Spence, Jo. "Beyond the Family Album," in Ten 8:4 (Spring 1980).

Spence, Jo. Putting Myself in the Picture: A Political, Personal, and Photographic Autobiography. London: Camden Press, 1986.

Stack, Trudy Wilner and William Tolan. Family Matters: An Exhibition of Works by Sally Mann, Vince Leo, Melissa Shook, and Philip-Lorca diCorcia. Arizona State University Northlight Gallery, 1993.

Sultan, Larry. Pictures from Home, artist's book. New York: Harry N. Abrams, Inc., 1992.

Underhill, Linn. Thirty Five Years / One Week, artist's book. Rochester: Visual Studies Workshop Press, 1981.

Watterson, Bill. The Days are Just Packed. Kansas City: Andrews and McMeel, An Universal Press Syndicate Co., 1993.

Williams, Val. Who's Looking at the Family, exhibition catalogue. Barbican Art Gallery London, 1994.

Willis, Deborah. Imagining Families: Images and Voices, exhibition catalogue. Washington, D.C.: The Smithsonian Institution, 1994.

"Self and Shadow", Aperture 114. New York: Aperture, 1989.

Related to Lorie Novak's Work:
Critical / Historical Writings

Bal, Mieke, Jonathan Crewe, and Leo Spitzer, eds. Acts of Memory: Cultural Recall in the Present. Hanover, NH: University of New England Press, 1999.

Barthes, Roland, translated by Richard Howard. Camera Lucida: Reflections on Photography. New York: Hill and Wang, The Noonday Press, 1981.

Berger, John. About Looking. New York: Pantheon Books, 1980.

Chalfen, Richard. Snapshot Versions of Life. Bowling Green, Ohio: Bowling Green State University Popular Press, 1987.

Chalfen, Richard. Turning Leaves: The Photograph Collections of Two Japanese American Families. University of New Mexico Press, 1991.

Coe, Brian and Paul Gates. The Snapshot Photograph: The Rise of Popular Photography 1888-1939. London: Ash and Grant Ltd., 1977.

Duras, Marguerite, translated by Barbara Bray. Practicalities: Marguerite Duras Speaks to Michel Beaujous. New York: Grove Weidenfeld, 1990.

Engel, Susan. Context is Everything: The Nature of Memory. New York: W H Freeman & Co, 1999.

Graves, Ken and Mitchell Payne. American Snapshots. Oakland, CA: Scrimshaw Press, 1977.

Greene, Jonathan, ed. The Snapshot, Aperture 19:1. Millerton, NY: Aperture, 1974.

Greenhill, Pauline. So We Can Remember: Showing Family Photographs. Ottawa: National Museums of Canada, 1981.

Harris, Alex, ed. A World Uninspected: Portraits of Southern Childhood. The University of North Carolina Press, 1987.

Hirsch, Julia. Family Photographs: Content, Meaning and Effect. New York: Oxford University Press, 1981.

Hirsch, Marianne, ed. The Familial Gaze, including an article on Collected Visions by Lorie Novak. Hanover, NH: University Press of New England, 1999.

Hirsch, Marianne. Family Frames: Photography, Narrative and Postmemory. Cambridge: Harvard University Press, 1997.

Hirsch, Marianne. "Resisting Images: Rereading Adolescence," in Provoking Agents, Gender and Agency in Theory and Practice, ed. by Judith Kegan Gardiner. Urbana and Chicago: University of Illinois Press, 1995.

King, Graham. Say Cheese. New York: Dodd, Mead, & Co., 1984.

Kotre, John N. White Gloves: How We Create Ourselves Through Memory. New York: Free Press, 1995.

Kuhn, Annette. Family Secrets: Acts of Memory and Imagination. London: New York: Verso, 1995.

Newhall, Beaumont. The History of Photography from 1839 to the Present, revised and enlarged edition. New York: The Museum of Modern Art, 1982.

Ross, Bruce M. Remembering the Personal Past: Descriptions of Autobiographical Memory. New York: Oxford University Press, 1991.

Schacter, Daniel L. SEARCHING FOR MEMORY: The Brain, the Mind, and the Past. New York: Basic Books, 1996.

Simons, Elizabeth Radin. Student Words, Student Voices: Teaching Writing Through Folklore. Portsmouth, NH: Boynton/Cook Heineman, 1990.

Sontag, Susan. On Photography. New York: Dell Publishing, 1977.

Spence, Jo and Patricia Holland, ed. Family Snaps: The Meaning of Domestic Photography. London: Virago, 1991.

Willis, Deborah, ed. Picturing Us: African American Identity in Photography. New York: The New Press, 1994.

Zeitan, Steven J., Amy J. Kotkin, and Holly Cutting Baker. A Celebration of American Family Folklore: Tales and Tradition from the Smithsonian Collection. New York: Pantheon, 1982.

Zimmermann, Patricia R. Reel Families: A Social History of Amateur Film. Bloomington/Indianapolis: Indiana University Press, 1995.

Selected Publications (a bibliography composed by Joanne Leonard)

Joanne Leonard's bibiliography will come soon!

Picturing American Jews: Photography, History and Memory
(a bibliography composed by Laura Levitt)

Abraham, Pearl. Giving Up America. New York: Riverhead Books, 1998.

Aciman, André. False Papers: Essays on Exile and Memory. New York: Farrar, Straus and Giroux, 2000.

Aciman, André. ed. Letters of Transit: Reflections on Exile, Identity, Language and Loss. New York: New Press, 1999.

Adams, Timothy Dow, ed. Special Issue "Autobiography, Photography, Narrative." Modern Fiction Studies 40.3 (Fall 1994).

Adorno, Theodor. Minima Moralia: Reflections from Damaged Life. London: NBL, 1978.

Alcalay, Ammiel. Memories of Our Future: Selected Essays 1982-1999. San Francisco: City Lights, 1999.

Aletti, Vince. "Lesbian Domestics," Out (April 1999).

Allen, Richard and Murray Smith, ed. Film Theory and Philosophy. Oxford: Clarendon Press, 1997.

Amerikaner, Phyllis and Rae Aronoff. The Jewish Paper Doll Book. Santa Barbara: The Learning Works, Inc., 1997.

Amishai-Maisels, Ziva. "Chagall's White Crucifixion," Museum Studies (17.2, 1991), 138-153.

Andrew, Dudley, ed. The Image in Dispute: Art and Cinema in the Age of Photography. Austin: University of Texas Press, 1997.

Antler, Joyce. The Journey Home: Jewish Women and the American Century. New York: Free Press, 1997.

Antler, Joyce, ed. Talking Back: Images of Jewish Women in American Popular Culture. Hanover: Brandeis University Press, 1998.

Antin, Mary. The Promised Land. New York: Penguin, 1997.

Antze, Paul and Michael Lambeck, ed. Tense Past: Cultural Essays in Trauma and Memory. New York: Routledge, 1996.

Armstrong, Nancy. Fiction in the Age of Photography: The Legacy of Bristish Realism. Cambridge: Harvard, 1999.

Armstrong, Nancy. "Fiction in the Age of Photography," Narrative (January 1999), 37-55.

Armstrong, Nancy and Leonard Tennenhouse, ed. The Ideology of Conduct: Essays in Literature and the History of Sexuality. New York: Methuen, 1987.

Aron, Bill. From the Corners of the Earth: Contemporary Photographs of the Jewish World. Philadelphia, Jewish Publication Society, 1985.

Ash, Timothy Garton. The File: A Personal History. New York: Vintage.

"Autobiography, Photography and Narrative," special issue, Modern Fiction Studies. 40.3 (Fall 1997).

Avedon, Richard. Richard Avedon: Evidence 1944-1994. New York: Random House, 1994.

Baigell, Matthew. Jewish-American Artists and the Holocaust. New Brunswick: Rutgers University Press, 1997.

Bal, Mieke, Jonathan Crew and Leo Spitzer, ed. Acts of Memory: Cultural Recall in the Present. Hanover: Dartmouth/New England Press, 1999.

Bal, Mieke. Double Exposure: The Subject of Cultural Analysis. New York: Routledge, 1996.

Bal, Mieke. "The Politics of Citation," Diacrtics 21.1 (Spring 1991), 23-45.

Bal, Mieke, ed. The Practice of Cultural Analysis: Exposing Interdisciplinary Interpretation. Stanford: Stanford University Press, 1999.

Bal, Mieke. Reading "Rembrandt": Beyond the Word-Image Opposition. Cambridge and New York: Cambridge University Press, 1991.

Balakian, Peter. Black Dog of Fate: A Memoir. New York: Broadway Books, 1997.

Ballerini, Julia. "Flip: The Homeless Child as Auteur," Yale Journal of Criticism 8.2 (1995), 87-101.

Banfield, Ann. "Describing the Unobserved: Events Grouped Around an Empty Centre," The Linguistics of Writing: ARguments Between Language and Literature, Nigel Fabb, Derek Attridge, Alan Durant and Colin MacCabe ed. Manchester: Manchester University Press, 1986, 265-285.

Barney, Tina. Friends and Relations: Photographs by Tina Barney. Washington, DC: The Smithsonian, 1991.

Barnouw, Dagmar. Germany 1945: Views of War and Violence. Bloomington: University of Indiana Press, 1996.

Barr, Terry. "Eating Kosher, Staying Closer," Journal of Popular Film and Television 24 (Fall 1996), 134-144.

Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1981.

Barthes, Roland. Image-Music-Text. New York: Hill and Wang, 1977.

Behar, Ruth. The Vulnerable Observer: Anthropology the Breaks Your Heart. Boston: Beacon, 1996.

Benjamin, Walter. Illuminations: Essays and Reflections. New York: Schocken, 1968.

Berger, John. About Looking. New York: Pantheon, 1980.

Berger, John. Ways of Seeing. London: Penguin, 1972.

Berger, John and Jean Mohr. Another Way of Telling. New York: Vintage, 1982.

Berger, Joseph. Displaced Persons: Growing Up American After the Holocaust. New York: Scribners, 2001.

Bergland, Betty. "Rereading Photographs and Narratives in Ethnic Autobiography: Memory and Subjectivity in Mary Antin's The Promised Land," in Memory, Narrative, and Identity: New Essays in Ethnic American Literatures, Amrtjit Singh, Joseph Skerett and Robert Hogan ed. Boston: Northeastern University Press.

Berman-Carton. "Negotiating the Categories, Sara Bernhardt and the Possibilities of Jewishness," Art Journal 55 (Summer 1996), 55-64.

Bernstein, Michael André. Foregone Conclusions: Against Apocalyptic History. Berkeley: University of California Press, 1994.

Bershel, Sara and Allen Graubard. Saving Remnants: Feeling Jewish in America. Berkeley: University of California Press, 1992.

Bilski, Emily, ed. Golem! Danger, Deliverance and Art. New York: The Jewish Museum, 1988.

Black, Judith and Joanne Lukitsh. review essay of The Familial Gaze, ed. Marianne Hirsch, Visual Resources 15 (2000), 455-460.

Blocker, Jane. Where is Ana Medieta? Identity, Performativity, and Exile. Durham: Duke University Press, 1999.

Boltanski, Christian. Catalogue: Books, Printed Matter, Ephemera 1966-1991. (Jennifer Flay, ed.) Frankfurt: Walther König, 1992.

Bolton, Richard, ed. The Contest of Meaning: Critical Histories of Photography. Cambridge: MIT Press, 1989.

Booth, Allyson. Postcards from the Trenches: Negociating the Space between Modernism and the First World War. New York: Oxford University Press, 1996.

Bourdieu, Pierre. The Logic of Practice. Stanford: Stanford University Press, 1980.

Bourdieu, Pierre. Photography: A Middle-brow Art. Stanford: Stanford University Press, 1990.

Bowlby, Rachel. "Domestication," in Feminism Beside Itself, Diane Elam and Robyn Wiegman, ed. New York: Routledge, 1995, 71-91.

Bowlby, Rachel. Just Looking: Consumer Culture in Dreiser, Gissing and Zola. New York: Metheun, 1985.

Boyarin, Jonathan and Daniel Boyarin, ed. Jews and Other Differences: The New Jewish Cultural Studies. Minneapolis: University of Minnesota Press, 1997.

Brahm, Laura. review essay of Immigrant Acts: On Asian American Cultural Politics by Lisa Lowe; and Fighting to Become Americans: Jews, Gender, and the Anxiety of Assimilation by Riv Ellen Prell. Women's Rview of Books 16.9 (June 1999), 22-23.

Braiterman, Zachary. "Against Holocaust-Sublime: Naive Reference and the Generation of Memory," History and Memory (Fall 2000), 7-28.

Braiterman, Zachary. (God) After Auschwitz: Tradition and Change in Post-Holocaust Jewish Thought. Princeton: Princeton University Press, 1998.

Brenner, Frederic. Jews/America/ a Representation. New York: Abrams, 1996.

Brenner, Frederic. A Moment Before: Jews in the Soviet Union. New York: International Center of Photography, 1992.

Breitbart, Eric. A World on Display 104: Photographs from the St. Louis World's Fair. Albuquerque: University of New Mexico Press, 1997.

Bumiller, Elisabeth. "After 50 Years of Struggle, Redemption, The Difficult Journey to a Holocaust Museum in New York," New York Times (September 14, 1997).

Cadava, Eduardo. Words of Light: Theses on the Photography of History. Princeton: Princeton University Press, 1997.

Camhi, Leslie. "Exploring a Family's—and a Nation's—Past," The Forward (February 6, 1998).

Camhi, Leskie. "Capturing the Face of a Nation of Strangers," The Forward (June 13, 1997).

Cammy, Justin D. "Rewriting the Myth of America in Their Own Image, review of Enlarging America: The Cultural Work of Jewish Literary Scholars, 1930-1990, Susanne Klingenstein," Forward (May 7, 1999).

Camper, Fred. "Some Notes on the Home Movie," Journal of Film and Video, 38 (Fall/Summer 1986), 9-13.

Carmody, Jim. "Reading Scenic Writing: Barthes, Brecht, and Theatre Photography," Journal of Dramatic Theory and Criticism 5.1 (1990), 25-38.

Cavalio, Diana. The Lower East Side: A Portrait in Time. New York: Crowell-Collier Press, 1971.

Chalfen, Richard. "Home Movies as Cultural Documents," in Film/Culture: Explorations of Cinema in its Social Context, Sari Thomas, ed. Metuchen, NJ: The Scarecrow Press, 1982.

Chalfen, Richard. Snapshot Versions of Life. Bowling Green Ohio: Bowling Green State University Popular Press, 1987.

Cheyette, Bryan and Laura Marcus, ed. Modernity, Culture and 'the Jew'. Stanford: Stanford University Press, 1997.

Chicago, Judy. Holocaust Project: From Darkness into Light. New York: Penguin, 1993.

Christ, Carol T. and John O. Jordan, ed. Victorian Literature and the Victorian Visual Imagination. Berkeley: University of California Press, 1995.

Cixous, Hélène. and Mireille Calle-Gruber. Hélène Cixous Rootprints: Memory and Life Writing. New York: Routledge, 1997.

Clemmen, Yves. "Photographic Construct and Narrative Imagination: An Approach in Contemporary French and American Literatures," diss. Urbana: University of Illinois, 1987.

Cohen, David. ed. The Jews in America. San Francisco: Collins Publishers, 1989.

Cohen, Jocelyn. "Memory and Forgetting," unpublished manuscript. Hanover NH: Dartmouth College, Narrative Conference, 1999.

Cohen, Richard. Jewish Icons: Art and Society in Modern Europe. Berkeley: University of California Press, 1998.

Cohen, Sarah Blacher. Jewish Wry: Essays on Jewish Humor. Bloomington: Indiana University Press, 1987.

Coles, Robert. Doing Documentary Work. New York: Oxford University Press, 1997.

Conn, Steven. Museums and American Intellectual, 1876-1920. Chicago: University Press, 1998.

"Contemporary Jewish Photoethnography: The Journey of Frederic Brenner," panel. Boston: Association for Jewish Studies, 1996.

Cooley, Martha. The Archivist. New York: Little Brown, 1998.

Corrigan, Timothy. A Short Guide to Writing about Film, Second Edition. New York: HarperCollins, 1994.

Cowan, Neil and Ruth. Our Parent's Lives: Jewish Assimilation and Everyday Life. New Brunswick: Rutgers University Press, 1996.

Cowan, Paul. "Orthodox in New York: A Journey Through the Year 5738," Village Voice (April 24, 1978).

Cowell, Alan. "Jewish Treasures, Suitable for Mailing," New York Times (December 5, 1996).

Crane, Stephen. The Open Boat and Other Stories. New York: Dover Publications, 1993.

Creekmur, Corey. "The Cinematic Photographic and the Possibility of Mourning," Wide Angle 9:1, 41-49.

Crimp, Douglas. "Mourning and Militancy," October 51 (Winter, 1989), 3-18.

Crimp, Douglas. On the Museum's Ruins. Cambridge: MIT Press, 1993.

Cvetkovich, Ann. "Sexual Trauma/Queer Theory: Incest, Lesbianism, and Therapeutic Culture," GLQ (1995), 351-377.

Cyprys, Ruth Altbeker. A Jump for Life: A Survivor's Journey From Occupied Poland. New York: Continuum, 1997.

D. H. The Gift. New York: New Directions, 1969, 1982.

D'Alessandro, Stephanie. Still More Distant Journeys: The Artistic Emegrations of Lasar Segall. Chicago: Smart Museum of Art, 1997.

Davidov, Judith Fryer. Women's Camera Work: Self/Body/Other in American Visual Culture. Durham: Duke University Press, 1998.

Davidson, Cathy N. "Photographs of the Dead: Sherman, Daguerre, Hawthorne," The South Atlantic Quarterly, 89:4 (Fall 1990), 667-701.

Dayan, Joan. Haiti, History and the Gods. Berkeley: University of California Press, 1995.

Dean, Jeffrey. "Robert Hopkin's Picture, Image, and Experience," Film and Philosophy. 3.26 (June1999), review essay.

Delbanco, Nicholas. What Remains: A Novel. New York: Time Warner, 2000.

DeCarlo, Tessa. "Look at the Camera, Smile... Got It! Work of Art!" New York Times (July 5, 1998).

de Certeau, Michel, Luce Giard and Pierre Mayol. The Practice of Everyday Life, volume 2: Living and Cooking. Minneapolis: University of Minnesota Press, 1998.

de Man, Paul. "Autobiography As De-Facement," The Rhetoric of Romanticism. New York: Columbia University Press, 1984, 67-81.

De Man, Paul. The Rhetoric of Romanticism. New York: Columbia University Press, 1984.

De Zegher, M. Catherine, ed. Inside the Visible: An Elliptical Traverse of 20th Century Art. Cambridge: MIT Press, 1996.

Derrida, Jacque. Archive Fever: A Freudian Impression. Chicago: University of Chicago Press, 1996.

Derrida, Jacques. "The Death of Roland Barthes," Philosophy and Non-Philosophy Since Merleau-Ponty, Hugh Silverman ed. New York: Routledge, 1988, 259-345.

Derrida, Jacque. Specters of Marx: The State of the Debt, the Work of Mourning, & the New International. New York: Routledge, 1994.

Desowitz, Bill. "The Long Shadow of 'The Sorrow and the Pity,'" New York Times (May 7, 2000).

Devereaux, Leslie and Roger Hillman, ed. Fields of Vision: Essays on Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press, 1995.

Diamond, Elin. "Mimesis, Milimcry, and the 'True-Real,'" Modern Drama 32(1) (1989), 58-72.

Diamond, Elin, ed. Performance and Cultural Politics. London: Routledge, 1996.

Dienstag, Joshua Foa. Dancing in Chains: Narrative and Memory in Political Theory. Stanford: Stanford University Press, 1997.

Doty, Mark. Firebird: A Memoir. San Freancisco: Harper Collins. 1999.

Douglas, Susan. Where the Girls Are: Growing Up Female with Mass Media. New York: Times Books, 1994.

Dubner, Stephen. Turbulent Souls: A Catholic Son's Return to His Jewish Family. New York: William Morrow.

Dubois, Philippe. "Photography Mise-en Film: Autobiographical (Hi)stories and Psychic Apparatuses," Fugitive Images: From Photography to Video, Patrice Petro, ed. Bloomington: Indiana University Press, 1995, 152-172.

Durand, Régis. "How to See (Photographically)," in Fugitive Images: From Photography to Video, Patrice Petro, ed. Bloomington: Indiana University Press, 1995, 141-151.

Dusseault, Ruth. "Jeffrey Wolin: Portraits of the Holocaust," Atlanta Arts Papers 19 (Sept/Oct 1995), 56.

Eakin, Paul John. Touching the World: Reference in Autobiography. Princeton: Princeton University Press, 1992.

Ecker, Gisela, ed. Feminist Aesthetics. Boston: Beacon Press, 1986.

Edvardson, Cordelia. Burned Child Seeks the Fire: A Memoir. Boston: Beacon Press, 1997.

Edwards, Harvey and Jody Avery. Fairfax: Where the Current Life Style Reflects the Past. Los Angeles: Copley Press West, 1976.

Eichler, Jeremy. "Eight Artists find Inspiration in History," The Forward (February 12, 1999).

Eliach, Yaffa. There Once Was a World: A 9000-Year Chronicle of the Shtetl of Eishyshok. Boston: Back Bay, 1998.

Entin, Alan. "Photo Therapy: Family Albums and Multigenerational Portraits," Camera Lucida 1.2 (Winter 1980), 39-51.

Epstein, Helen. "Diving into the Wreckage: Salvaging Family History from the Holocaust," Nashim: A Journal of Jewish Women's Studies and Gender Issues 2 (Spring 1999), 137-145.

Epstein, Helen. "Looking Back at the Families They Fled, review of Alix Kates Shulman A Good Enough Daughter and Anne Roiphe 1185 Park Avenue," Forward (April 23, 1999).

Epstein, Helen. Where She Came From: A Daughter's Search for Her Mother's History. New York: Little Brown, 1997.

Eskin, Blake. "Accentuating the Negative, For Frédéric Brenner, Leaving the Diaspora Behind Does Not Mean an End to Exile," The Forward (August 28, 1998).

Eskin, Blake. "Shimon Attie's American Graffiti," The Forward, (October 16,1998).

Ezrahi, Sidra DeKoven. Booking Passage: Exile and Homecoming in the Modern Jewish Imagination. Berkeley: University of California Press, 2000.

Ezrahi, Sidra, DeKoven. "Racism and Ethics: Constructing Alternative History," in Humanity at the Limit: The Impact of the Holocaust Experience on Jews and Christians, Michael A. Signer, ed. Bloomington: Indian University Press, 1999.

Ezrahi, Sidra, DeKoven. "Representing Auschwitz," History and Memory 7.2(Winter 1996), 121-155.

"Family Pictures: Shapes of Memory," Conference. May 1996. Hanover, NH: Dartmouth College.

Farrell, Kerby. Post-traumatic Culture: Injury and Interpretation in the Nineties. Baltimore: Johns Hopkins University Press, 1998.

Feinberg, Anat. "Abiding in a Haunted Land: The Issue of Heimat in Contemporary German-Jewish Writing," New German Critique (Winter 1997), 161-181.

Feingold, Henry. A Time for Searching: Entering the Mainstream 1920-1945. Baltimore: Johns Hopkins University Press, 1992.

Feinstein, Stephen C., ed and curator. Absence Presence: The Artistic Memory of the Holocaust and Genocide. Minneapolis: Center for Holocaust and Genocide Studies, University of Minnesota, 1999.

Feinstein, Stephen C., ed. Witness & Legacy: Contemporary Art about the Holocaust. Minneapolis: Lerner Publication Company, 1995.

Feld, Merle. A Spiritual Life: A Jewish Feminist Journey. Albany: SUNY Press, 1999.

Feldman, Shoshana and Dori Laub, ed. Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. New York: Routledge, 1992.

Felstiner, Mary Lowenthal. To Paint Her Life: Charlotte Salomon in the Nazi Era. Berkeley: University of California Press, 1997.

Fenyves, Charles. When the World was Whole: Three Centuries of Memoires. New York: Viking, 1990.

Ferguson, Jeanine Carol. "Developing Clichés: Walter Benjamin and Roland Barthes at the Limits of Photographic Theory," diss. University of Minnesota, 1997.

Ferguson, Russell, William Olander, Marcia Tucker and Karen Fliss, ed. Discourses: Conversations in Postmodern Art and Culture. Cambridge: The New Museum of Contemporary Art and MIT Press, 1990.

Fesseden, Tracy, "Mark C. Taylor and the Limits of Postmodern Imagination," in Postmodernism and the Holocaust, Alan Milchman and Alan Rosenberg, ed. New York: Rodopi, 1998, 85-100.

Filler, Deb and Francine Zuckerman. "Punch Me in the Stomach," film, Toronto, 1995.

Finkielkraut, Alain, trans. Kevin O'Neil and David Suchoff. The Imaginary Jew. Lincoln: University of Nebraska Press, 1994.

Forman, Joel, ed. The Other Fifties: Interrogating Midcentury Icons. Urbana: University of Illinois Press, 1997.

Foster, Hal ed. The Anti-Aesthetic: Essays on Postmodern Culture. Seattle: Bay Press, 1983.

Foster, Hal, ed. Discussions in Contemporary Culture. Seattle: Bay Press, 1987.

Foster, Hal. The Return of the Real. Cambridge: MIT Press, 1996.

Foster, Hal, ed. Vision and Visuality. Seattle: Bay Press, 1988.

Foucault, Michel. This is Not a Pipe. Berkeley: University of California Press, 1982.

Fox, Howard N. Eleanor Antin. Los Angeles: Los Angeles County Museum of Art, 1999.

Freedman, Diane, Olivia Frey and Frances Murphy Zauhar, ed. The Intimate Critique: Autobiographical Literary Criticism. Durham: Duke University Press, 1993.

Frieden, Ken, guest ed. "Issues of Judaic Literature: Identity, Displacement, and Destruction," Symposium: A Quarterly Journal in Modern Literatures 52.4(Winter1999), special issue.

Friedlander, Saul ed. Probing the Limits of Representation. Cambridge: Harvard University Press, 1992.

Friedlander, Saul ed. Reflections on Nazism: An Essay on Kitch and Death. New York: Harper and Row, 1984.

Friedman, Michelle. "The Labor of Remembrance," in Mapping Jewish Identities, Laurence Silberstein, ed. New York: NYU Press, 2000.

Friesel, Evyatar. The Days and the Seasons: Memoirs. Detriot: Wayne State Univerity Press, 1996.

Fuchs, Esther, ed. Women and the Holocaust: Narrative and Representation. Studies in the Shoah, Volume XXII, Maryland: University Press of America, 1999.

Fuss, Diana. Identification Papers New York: Routledge, 1995.

Fuss, Diana. Critical Response II, "Look Who's Talking, or If Looks Could Kill," Critical Inquiry 22 (Winter 1996), 383-392.

Gaines, Jane and Michael Renov, ed. Collecting Visible Evidence. Minneapolis: University of Minnesota Press, 1999.

Gaines, Jane. Contested Culture: The Image, The Voice, and The Law. Chapel Hill: University of North Carolina Press, 1991.

Gaines, Jane. "Dead Ringer: Jacqueline Onassis and the Look-Alike," South Atlantic Quarterly (Spring 1989), 461-86.

Galassi, Peter. Before Photography: Painting and the Invention of Photography. New York: The Museum of Modern Art, 1981.

Galassi, Peter. Pleasures and Terrors of Domestic Comfort. New York: Museum of Modern Art, 1991.

Gans, Herbert J. The Levittowners: Ways of Life and Politics in a New Suburan Community. New York: Pantheon Books, 1967.

Gans, Herbert J. "The Origins of a Jewish Community in the Suburbs," American Jews: A Reader, Marshall Sklare, ed. New York: Berhman House, 1982, 149-172.

Gans, Herbert J. Popular Culture and High Culture, a revised and updated edition. New York: Basic Books, 1999.

Gans, Herbert J. "Symbolic Ethnicity: The Future of Ethnic Groups and Cultures in America," in On the Making of Americans, Gans, Glazer, et al ed. Philadelphia: University of Pennsylvania Press, 1979, 193-220.

Gates, Henry Louis. "The Trope of a New Negro and the Reconstruction of the Image of the Black," Representations 24 (Fall 1988), 129-155.

Geis, Deborah. "'And this strength is in me still': Embodying Memory in the Works by Jewish Women Performance Artists" The Yearbook of English Studies 24 (1994), 172-179.

Gerchunoff, Alberto. "Shtetl in the Pampa," Hopscotch: A Cultural Review 1.1 (1999), 134-141.

Gibel Azoulay, Katya. Black, Jewish and Interracial: It's Not the Color of Your Skin, but the Race of Your Kin, and Other Myths of Identity. Durham: Duke University Press, 1997.

Gilman, Sander. The Jew's Body. New York: Routledge, 1991.

Gilman, Sander. Love + Marriage= Death: And Other Essays on Representing Difference. Stanford: Stanford University Press, 1998.

Gilman, Sander L. "R.B.Kitaj's 'Good Bad' Diasporism: The Body in Jewish Art," New Art Examiner 24.7 (April 1997), 12-21.

Gilroy, Paul. "Diaspora and Detours of Identity," in Identity and Difference, Kathryn Woodward, ed. London: Sage Publication, 1998, 301-343.

Ginsberg, Allen. Snapshot Poetics. San Francisco: Chronicle Books, 1993.

Gitelman, Lisa. "Playing in the Parlor, Or, How the Phonograph Came Home," December, unpublished manuscript, New Brunswick NJ: Rutgers University, 1998.

Glenn, Susan. Daughters of the Shetl: Life and Labor in the Immigrant Generation. Ithaca: Cornell University Press, 1990.

Gleick, Elizabeth. Book review, The One Facing Us. New York Times Book Review (August 9,1998).

Golan, Daphna, V.Y. Mudimbe, Aron Rodrigue, and Steven Zipperstein, "Symposia: The Jewish Diaspora, Israel, and Jewish Identities," The South Atlantic Quarterly 98.1/2 (Winter/Spring 1999), 95-116.

Goldberg, Vickie. "The American Chapter of the Jewish Saga," New York Times (September 22, 1996).

Goldberg, Vickie. "As a Feminist, a King, as a Ballerina, a Klutz," New York Times (August 8, 1999).

Goldberg, Vickie. "The Fine Art of Making the Invisible Visible," New York Times (May 24, 1998).

Goldberg, Vickie. "The Snapshot, History's Modest Little Helper," New York Times (June 16, 1996).

Goldberg, Vickie. "When Asserting A Self-Image Is Self-Defense," New York Times (April 9, 2000).

Golden, Stephanie. "Cleveland Calling," review essay, A Good Enough Daughter. Women's Review of Books 16.9 (June 1999), 19-20.

Goldstein, Eric, "'Different Blood Flows in Our Veins': Race and Jewish Self-Definition in Late Nineteenth Century America," American Jewish History (March 1997), 29-55.

Goldstein, Richard. "The Eye of the Beholder," Village Voice (March 10 1998).

Gordon, Avery. Ghostly Matters: Haunting and the Sociological Imagination. Minneapolis: University of Minnesota Press, 1997.

Gordon, Mary. Seeing Through Places: Reflections on Geography and Identity. New York: Scribners, 2000.

Gordon, Mary. The Shadow Man: A Daughter's Search for Her Father. New York: Random House, 1996.

Gornick, Vivian. Fierce Attachments: A Memoir. New York: Touchstone, 1987.

Gornick, Vivian. "Twice an Outsider: On Being Jewish and a Woman," Tikkun (March/April 1989).

Gourevitch, Philip. "The Memory Thief," The New Yorker, (June 14, 1999), 48-68.

Green, Jennifer. "Stories in an Exhibition: Narrative and Nineteenth-Century Photographic Documentary," Journal of Narrative Technique 20.2 (1990), 147-166.

Greve, Janis. "Orphanhood and 'Photo'-Portraiture in Mary McCarthy's Memories of a Catholic Girlhood" in American Women's Autobiography: Fea(s)ts of Memory, Margo Corley ed. Madison: University of Wisconsin Press, 1992, 167-184.

Grier, Katherine. Culture and Comfort: Parlor Making and Middle-Class Identity, 1850-1930. Washington: Smithsonian Institution Press, 1988.

Guibert, Hervé. Ghost Image. Los Angeles: Sun and Moon Press, 1996.

Halevi, Yossi Klein. Memoirs of a Jewish Extremist. New York: Little Brown, 1995.

Hall, Douglas and Sally Jo Fifer, ed. Illuminating Video: An Essential Guide to Video Art. New York: Aperture Foundation, 1990.

Hall, Stuart, ed. Representation: Cultural Representation and Signifying Practices. London: Sage Publications, 1997.

Halle, David. Inside Culture: Art and Class in the American Home. Chicago: University of Chicago Press, 1993.

Hammer, Josuah. Chosen by God: A Brother's Journey. New York: Hyperion, 1999.

Hampl, Patricia. I Could Tell You Stories: Sojourns in the Land of Memory. New York: W.W. Norton, 1999.

Handy, Ellen, "Helen Levitt: Childhood as Performance, City as Theater," unpublished manuscript, New York: Columbia Women and Society Seminar, December, 1999.

Hart, Lynda and Peggy Phelan ed. Acting Out: Feminist Performances. Ann Arbor: University of Michigan Press, 1993.

Hartman, Geoffrey H. The Longest Shadow: In the Aftermath of the Holocaust. Bloomington: Indiana University Press, 1996.

Hayt, Elizabeth. "Evoking the Fitful Passage to Womanhood," New York Times (May 10,1998).

Heinz Andrew. Adapting to Abundance. New York: Columbia University Press, 1990.

Hellerstein, Katheryn. Paper Bridges: Selected Poems of Kadya Molodowsky. Detroit: Wayne State University Press, 1999.

Higonnet, Anne. Pictures of Innocence: The History and Crisis of Ideal Childhood. New York: Thames and Hudson, 1998.

Hirsch, Marianne, ed. The Familial Gaze. Hanover: University Press of New England, 1998.

Hirsch, Marianne. Family Frames: Narrative Photography and Postmemory. Cambridge: Harvard University Press, 1997.

Hirsch, Marianne. "Marked by Memory: Feminist Reflections on Trauma and Transmission," in Extremities: Trauma, Testimony, Community, ed. Nancy K. Miller and Jason Tougaw (Urbana: Illinois University Press, 2002).

Hirsch, Marianne. "Nazi Photographs in Post-Holocaust Art: Gender as an Idiom of Memorialization," in Crimes of War: Guilt and Denial, ed. Omer Bartov, Atina Grossman, Molly Noble (New York: The New Press, 2002) and Phototextualities, ed. Andrea Noble (University of New Mexico Press, 2003).

Hirsch, Marianne. "Pictures of a Displaced Girlhood," in Displacements: Cultural Identities in Question, Angelika Bammer ed. Bloomington: Indiana University Press, 1994, 71-89.

Hirsch, Marianne. "Surviving Images: Holocaust Photographs and the Work of Postmemory," Yale Journal of Criticism (Spring 2001) and in Visual Culture and the Holocaust, ed. Barbie Zelizer (New Brunswick: Rutgers University Press "Depth of Field" series, 2001).

Hirsch, Marianne and Susan Suleiman, "Material Memory: Holocaust Testimony in Post-Holocaust Art," with Susan Suleiman, in Shaping Losses: Cultural Memory and the Holocaust, ed. Julia Epstein and Lori Lefkowitz (Urbana: University of Illinois Press, 2001).

Hochstein, Peter and Sandy Hoffman. Up From Seltzer: A Handy Guide to 4 Jewish Generations. New York: Workman Publishing, 1981.

Holmlund, Chris and Cynthia Fuchs, ed. Between the Sheets, In the Streets: Queer, Lesbian, Gay Documentary. Minneapolis: University of Minnesota Press, 1997.

"Home Movies and Amateur Filmmaking," Journal of Film and Video (Fall-Summer 1986), special issue.

Hoobler, Dorothy and Thomas. The Jewish American Family Album. New York: Oxford University Press, 1995.

hooks, bell. Art on My Mind: Visual Politics. New York: New Press, 1995.

Hornstein, Shelley. "Fugitive Places," Art Journal. (Spring 2000), 45-54.

Horowitz, Elliott. "Too Jewish? And Other Jewish Questions: A Review Essay," Modern Judaism (May 1999), 195-206.

Howe, Irving. "The Limits of Ethnicity," New Republic (June 25, 1977), 17-19.

Howell, George. "Larry Sultan: Pictures From Home, Tina Barney, Nic Nicosia, Catherine Wagner: Family Lives," Atlanta Arts Papers (May/June 1995), 40-1.

Hughes, Gordon. "In Graven Images," New Art Examiner 24.7 (April 1997), 26-29.

Hunt, Lynn. The Family Romance and the French Revolution. Berkeley: University of California Press, 1992.

Hüppauf, Bernd. "Emptying the Gaze: Framing Violence through the Viewfinder," New German Critique 72 (Fall 1997), 3-44.

Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1986.

Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia. New York: Routledge, 1995.

Hyde, Lewis, ed. "American Memory/American Forgetfulness," Kenyon Review 19:1 (Winter 1997).

Hyman, Paula A. Gender and Assimilation in Modern Jewish History. Seattle: University of Washington Press, 1995.

Ignatiev, Noel and John Garvey ed. Race Traitor. New York: Routledge, 1996.

"Impossible Evidence: Contemporary Artist View the Holocaust," exhibit. Reading, PA: Freedman Gallery, Albright College, 1994.

Jackson, Kenneth T. Crabgrass Frontier: The Suburbanization of the United States. New York: Oxford, 1985.

Jacobs, David L. "Domestic Snapshots: Towards a Grammer of Motives," Journal of American Culture 4.1 (1981), 93-105.

Jacoby, Susan. Half-Jew: A Daughter's Search for her Family's Buried Past. New York: Scribners, 2000.

John-Hall, Annette. "Light and Shadow," The Philadelphia Inquirer (April 2, 2000).

Johnson, Paul E. "The Modernization of Mayo Greenleaf Patch: Land, Family, and Migration in New England, 1766-1818," The New England Quarterly 55 (1982), 488-516.

Jakobsen, Janet. Working Alliances and the Politics of Difference. Bloomington: Indiana University Press, 1997.

"Jewishness in Contemporary Art," special issue, New Art Examiner, (April 1997).

"Jews in America." special double issue, Culture Front, 5.3 and 6.1 (Winter 1997).

Jezer, Marty. The Dark Ages: Life in the United States 1945-1960. Boston: South End, 1982.

John-Hall, Annette. "Light and Shadow," The Philadelphia Inquirer (April 2, 2000).

Joselit, Jenna Weissman. The Wonders of America. New York: Hill and Wang, 1994.

Joshi, S.T., ed. Documents of American Prejudice: An Anthology of Writings on Race from Thomas Jefferson to David Duke. New York: Basic Books, 1999.

Jumonville, Neil. Critical Crossings: The New York Intellectuals in Postwar America. Berkeley: University of California Press, 1991.

Kacyzne, Alter. Polylin: Jewish Life in the Old Country. New York: Metropolitan Books, 1999.

Kadish, Rachel. From a Sealed Room. New York: Berkeley Books, 1998/2000.

Kampf, Avram. Chagall to Kitaj: Jewish Experience in 20th Century Art. London: Lund Humphries, 1990.

Kaplan, Alice Yaeger. Reproductions of Banality: Fascism, Literature, and French Intellectual Life. Minneapolis: University of Minnesota Press, 1986.

Karp, Ivan and Steven D. Lavine ed. Exhibiting Culture: The Poetics and Politics of Museum Display. Washington: Smithsonian Institution Press, 1991.

Katz, Donald. Home Fires: An Intimate Portrait of One Middle-Class Family in Postwar America. New York: HarperCollins, 1992.

Katz, Jacob. With My Own Eyes: The Autobiography of an Historian. Hanover, NH: Brandeis University Press, 1995.

Katzman, Lisa. "A Film and a Filmmaker, Each as Fragile as Life," The New York Times (April 18, 1999).

Kauffman, Linda. Bad Girls and Sick Boys: Fantasies in Contemporary Art and Culture. Berkeley: University of California Press, 1998.

Kaufman, Alan. Jew Boy. New York: Fromm International, 2000.

Kaufmann, James. "Learning from the Fotomat," The American Scholar 49 (1980), 244-246.

Kazin, Alfred. A Walker in the City. New York: Grove Press, 1951.

Kelley, Jeff. "Larry and Kelly Sultan: Public Art Works," Artforum 33 (December 1994), 88.

Kimmelman, Michael. "When Artist Dress Up Modern Jewish History," New York Times (February 26, 1999).

King, Barry. "Photo-Consumerism and Mnemonic Labor: Capturing the 'Kodak Moment'," Afterimage 21 (September 1993), 9-13.

Kirschenblatt-Gimblett, Barbara. Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press, 1998.

Klarsfeld, Serge. French Children of the Holocaust: A Memorial. New York: NYU Press, 1996.

Kleeblatt, Norman L. and Susan Chevlowe ed. Painting a Place in America: Jewish Artists in New York 1900-1945. Bloomington: The Jewish Museum in cooperation with Indiana University Press, 1991.

Kleeblatt, Norman. "Illustrating Jewish Lifestyles on the Opposite Banks of the Rhine: Alphonse Lévy's Alsatian Peasants and Moritz Daniel Oppenheim's Franfurt Burghers," Jewish Art, 16/17 (1990-91), 53-63.

Kleeblatt, Norman, ed. Too Jewish? Challenging Traditional Identities. New Brunswick: Rutgers University Press, 1996.

Klepfisz, Irena. "Di yerushe/The Legacy: A Parable About History," in The Shabbat Series: Excellence in Education for Jewish Women. Irene Fine ed. San Diego: Women's Institute for Continuing Jewish Education (1995, 1997), 133-139.

Klepfisz, Irena. Dreams of an Insomniac: Jewish Feminist Essays, Speeches and Diatribes. Portland, OR: Eighth Mountain Press, 1990.

Klepfisz, Irena. A Few Words in the Mother Tongue: Poems Selected and New (1971-1990). Portland, OR: Eighth Mountain Press, 1990.

Kofman, Sarah. Camera Obscura of Ideology. 1973 (French). (English, trans.), Will Straw, trans. Ithaca: Cornell University Press, 1998.

Kostelanetz, Richard. "Writing Extended," Contemporary Poetry 4.2 (1981), 1-15.

Kozol, Wendy. Life's America: Family and Nation in Postwar Photojournalism. Philadelphia: Temple University Press, 1994.

Kranz, David. "Larry Sultan Chicago Cultural Center," New Arts Examiner 22 (December 1994), 42.

Kraus, Rosalind. "'...And Then Turn Away?' An Essay on James Coleman," October (Summer 1997), 5-33.

Kravitz, Jan. "In Harm's Way" color, 27 min, New York: Women Make Movies, 1996. (212-925-0606).

Kreiger, Susan. The Family Silver: Essays on Relationships Among Women. Berkeley: University of California Press, 1996.

Krementz, Jill. The Jewish Writer. New York: Henry Holt and Company, 1998.

Kronfeld, Chana. On the Margins of Modernity: Decentering Literary Dynamics. Berkeley: University of California Press, 1996.

Kruger, Barbara. Love For Sale: The Words and Pictures of Barbara Kruger. New York: Abrams, 1990.

Kruger, Barbara and Phil Mariani ed. Remaking History. Seattle: Bay Press, 1989.

Kruger, Barbara. "Roger Deutch, Dead People and Jews," Artforum 24 (February 1986), 101-102.

Krupat, Arnold. "A Nice Jewish Boy among the Indians," The Turn to the Native: Studies in Criticism and Culture. Lincoln: University of Nebraska, 1996, 88-130.

Krupnick, Mark. "Assimilation in Recent American Jewish Autobiographies," Contemporary Literature 34.3 (Fall 1993), 451-474.

Krupnick, Mark, ed. Displacement Derrida and After. Bloomington: Indiana University Press, 1983.

Kugelmass, Jack, ed. Going Home: How Jews Invent Their Old Countries, YIVO Annual,1994.

Kugelmass, Jack. "Jewish Icons: Envisioning the Self in Images of the Other," in Jews and Other Differences: The New Jewish Cultural Studies, ed. Daniel and Jonathan Boyarin. Minneapolis: University of Minnesota Press, 1997, 30-53.

Kugelmass, Jack and Jonathan Boyarin ed. From a Ruined Garden: The Memorial Books of Polish Jewry. New York: Schocken, 1983.

Kuhn, Annette. Family Secrets: Acts of Memory and Imagination. London: Verso, 1995.

Kumar, Amitava. Passport Photos. Berkeley: University of California Press, 2000.

Kuspit, Donald. "Unconsciously, Always and Alien and Self-Alienated: The Problem of the Jewish-American Artist," New Art Examiner 24.7 (April 1997), 30-36.

LaCapra, Dominick. Representing the Holocaust: History, Theory, Trauma. Ithaca: Cornell University Press, 1994.

Laclau, Ernesto. Emancipation(s). London: Verso, 1996.

Lakritz, Andrew. "Identification and Difference: Structures of Privilege in Cultural Criticism," in Who Can Speak: Authority and Critical Identity. Judith Roof and Robyn Wiegman, ed. Urbana: University of Illinois Press, 1995, 3-29.

Landsberg, Alison. "America, the Holocaust, and the Mass Culture of Memory: Toward a Radical Politics of Empathy," New German Critique 71 (Spring/summer 1997), 63-87.

Langer, Lawrence. The Holocaust in American Life, review essay, The New York Times Book Review (June 1999).

Lappin, Elana. "The Man with Two Heads," Granta (1999), 8-65.

Laquer, Thomas. "The Sound of Voices Intoning Names," a review of French Jewish Children of the Holocaust a Memorial. London Review of Books (June 5, 1997), 3-8.

Lavin, Maud. Cut With The Kitchen Knife: The Weimar Photomontages of Hannah Höch. New Haven: Yale University Press, 1993.

Lazarre, Jane. Beyond the Whiteness of Whiteness: Memoir of a White Mother of Black Sons. Durham: Duke University Press, 1996.

Lehmann, Sophia. "'And Here [Their] Troubles Began': The Legacy of the Holocaust in the Writing of Cynthia Ozick, Art Spiegelman, and Philip Roth," CLIO 28:1 (1998), 29-52.

Lehmann, Sophia. "In Search of a Mother Tongue: Locating Home in Diaspora," MELIUS 23:4 (Winter 1998), 101-118.

Lerman, Liz. Are Miracles Enough? Selected Writings on Art and Community 1983-1994. Washington, DC: The Dance Exchange, 1995.

Lerner, Gerda. Why History Matters: Life and Thought. New York: Oxford University Press, 1997.

Lesy, Michael. Time Frames: The Meaning of Family Pictures. New York: Pantheon Books, 1980.

Lesy, Michael. Wisconsin Death Trip. New York: Pantheon, 1973.

Levine, &Ecute;tan, ed. Diaspora: Exile and the Jewish Condition. New York: Aronson, 1983.

Levitt, Laura. "'Immigrant Daughters,' 'White Jews,' and Embodied Readings," The Reconstructionist 61.2 (Fall 1996), 41-48.

Levitt, Laura. Jews and Feminism: The Ambivalent Search for Home. New York: Routledge, 1997.

Levitt, Laura. "Letting Go of Liberalism," in Postcolonialism, Feminism and Religious Discourse, Kwok Pui-lan and Laura Donaldson ed. New York: Routledge, forthcoming.

Levitt, Laura. "Photographing American Jews: Identifying American Jewish Life," in Mapping Jewish Identities, Laurence Silberstein ed. New York: NYU Press, 2000.

Levitt, Laura and Miriam Peskowitz ed. "Engendering Jewish Knowledges," special issue, Shofar 14.1 (Fall 1995).

Lewenz, Lisa, and Ella Arnold Lewenz. "A Letter Without Words," film, USA, 1998.

Lewis, Jim. "The Photographs of Richard Billingham: No Place Like Home," Artforum 35 (January 1997), 62-67.

Lichtenstein, Rachel and Iain Sinclair. Rodinsky's Room. London, New York: Granta, 2000.

Lieberman, Rhonda. "Glamorous Jewesses," Artforum 31 (January 1993), 5-6.

Lieberman, Rhonda. "Miami Fantasia, Part 2" Artforum 31 (March 1993), 5-6.

Lippard, Lucy R. The Pink Glass Swan: Selected Essays on Feminist Art. New York: New Press, 1995.

Liss, Andrea. Trespassing Through the Shadows: Memory, Photography and the Holocaust. Minneapolis: University of Minnesota Press, 1998. (see also copies of original articles by Liss)

Lister, Martin, ed. The Photographic Image in Digital Culture. London: Routledge, 1995.

Livingston. Ira. Arrows of Chaos: Romanticism and Postmodernity. Minneapolis: University of Minnesota Press, 1997.

Loewy, Peter. Jewishness. Munich: Gina Kehayoff, 1997.

Loshitzky, Yosefa, ed. Spielberg's Holocaust: Critical Perspectives on Schindler's List. Bloomington: Indiana University Press, 1997.

Lowe, Lisa. Immigrant Acts: On Asian American Cultural Politics. Durham: Duke University Press, 1996.

Lowenthal, David. The Past is a Foreign Country. Cambridge: Cambridge University Press, 1985.

Lucie-Smith, Edward. "The Holocaust Project." Unpublished manuscript.

Luker Kristin. Abortion and the Politics of Motherhood. Berkeley: University of California Press, 1984.

Lury, Celia. Prosthetic Culture: Photography, Memory and Identity. London: Routledge, 1998.

Lustiger, Gila. The Inventory: A Novel. New York: Arcade, 2001.

Lutz, Catherine and Jane Collins. Reading National Geographic. Chicago: University of Chicago Press, 1993.

McDannell, Colleen. "Faith Without People: Art, Spirituality, and Modernism," from Picturing Faith: Religious America in Government Photography, 1935-1943, unpublished manuscript, 1998.

Mandel Mike and Larry Sultan. Evidence. Greenbrae/Santa Cruz California: Clatworthy Colorvue, 1977.

Marchessault, Janine, Review of Patricia Zimmermann, Reel Families, Screen 37.4 (Winter 1996), 419-423.

Maso, Carole. The Art Lover. Hopewell, NJ: Ecco Press, 1990, 1995.

Maso, Carole. Breaking Every Rule: Essays on Language, Longing & Moments of Desire. Washington, DC: Counterpoint, 2000.

Matalon, Ronit. The One Facing Us: A Novel. New York: Metropolitan Books, 1998.

Matza, Diane, ed. Sephardi American Voices: Two Hundred Years of a Literary Legacy. Hanover, NH: Brandies University Press, 1997.

Mavor, Carol. Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs. Durham: Duke University Press, 1995.

May, Elaine Tyler. Homeward Bound: American Families in the Cold War Era. New York: Basic Books, 1988.

May, Lary, ed. Recasting America: Culture and Politics in the Age of Cold War. Chicago: University of Chicago Press, 1989.

Maynard, Joyce. At Home in the World: A Memoir. New York: Picador, 1998.

Mekas, Jonas. Movie Journal: The Rise of the New American Cinema 1959-1971. New York: The Macmillan, 1993.

Mendelsohn, Ezra and Richard Cohen, ed. Art and Its Uses: The Visual Image and Modern Jewish Society, Studies in Contemporary Jewry: An Annual, VI. New York: Oxford University Press, 1990.

Mendes-Flohr, Paul. Divided Passions: Jewish Intellectuals and the Experience of Modernity. Detroit: Wayne State University Press, 1991.

Mendes-Flohr, Paul. German Jews: A Dual Identity. New Haven: Yale University Press, 1999.

Mendes-Flohr, Paul and Jehuda Reinharz, ed. The Jew in the Modern World: A Documentary History. New York: Oxford.

Meyers, Allen. The Jewish Community of South Philadelphia. Charleston, SC: Arcadia Publishing, 1998.

Meyers, Allen. Strawberry Mansion: The Jewish Community of North Philadelphia. Charleston, SC: Arcadia Publishing, 2000.

Meyrink, Gustav. The Golem. Prague and San Francisco: Mudra, 1972.

Michals, Duane. "The Camera Always Lies."

Miller, Nancy K. Bequest and Betrayal: Memoirs of a Parent's Death. New York: Oxford, 1996.

Miller Nancy K. Getting Personal: Feminist Occasions and Other Autobiographical Acts. New York: Routledge, 1991.

Miller, Nancy K. "Review Essay: Public Statements, Private Lives: Academic Memoirs for the Nineties," Signs vol.22, no.4 (1997), 981-1015.

Mintz, Steven and Susan Kellogg. Domestic Revolutions: A Social History of American Family Life. New York: The Free Press, 1988.

Mirzoeff, Nicholas, ed. The Visual Culture Reader. New York: Routledge, 1998.

Mitchell, W.J.T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994.

Mittelman, Karen, ed. Creating American Jews: Historical Conversations About Identity. Philadelphia: National Museum of American Jewish History, 1998.

Momaday, M. Scott. The Names: A Memoir. New York: Harper & Row, 1976.

Montgomenry, Jennifer. "Home Avenue," color, super 8mm, 17min., New York: Women Make Movies, 1989. (212-925-0606).

Moore, Deborah Dash. At Home In America: Second Generation New York Jews. New York: Columbia University Press, 1981.

Moore, Deborah Dash. "A New American Judaism," in Like All the Nations? The Life and Legacy of Judah L. Magnes, William Brenner and Moses Rischlin, ed. Albany: SUNY Press, 1987, 40-55.

Moore, Deborah Dash and Dan Gebler. "The Ta'am of Tourism," Pacific Historical Review, 1999, 193-212.

Moore, Deborah Dash. To the Golden Cities: Pursuing the American Jewish Dream in Miami and Los Angeles. New York: Free Press, 1994.

Moore, R. Laurence. Religious Outsiders and the Making of Americans. New York: Oxford, 1986.

Morgan, David. "The Image of Religion in American LIFE, 1936-1951," unpublished manuscript, 1998.

Morison, Gary Saul and Caryl Emerson. Mikhail Bakhtin: Creation of a Prosaics. Stanford: Stanford University Press, 1990.

Morson, Gary Saul. Narrative and Freedom: The Shadow of Time. New Haven: Yale University Press, 1994.

Musello, Christopher. "Studying the Home Mode: An Exploration of Family Photography and Visual Communication," Studies in Visual Communication 6.1 (Spring 1980), 23-42.

Muschamp, Herbert. "Looking at the Lawn, and Below the Surface," New York Times (July 5, 1998).

Naidus, Beverly. What Kinda Name Is That? Published by the author, sold at the Jewish Museum, New York, New York, 1995.

Nelson, Robert S. and Richard Shiff ed. Critical Terms for Art History. Chicago: University of Chicago Press, 1996.

Nericcio, William. "Artif[r]acture: Virulent Pictures, Graphic Narrative and the Ideology of the Visual," Mosaic 28.4 (Dec 1995), 79-109.

Neubauer, Carol. "Developing Ties to the Past: Photography and Other Sources of Information in Maxine Hong Kingston's China Men," Melus 10.4 (Winter 1983), 17-37.

Neumann, Anna. "Ways Without Words: Learning from the Silence and the Story in Post-Holocaust Lives," in Learning From Our Lives: Women, Research and Autobiography in Education. Anna Neumann and Penelope L. Peterson ed. New York: Teacher's College Press, 1997, 91-123.

Newman, Roberta. "Home Movies and the Alte Heym (Old Home): American Jewish Travel Films in Estern Europe in the 1920s and 1930s." Jewish Folklore and Ethnography Review vol.15, no.1, (1993), 22-28.

Nicol, Michelle. "More Allure Please," Parkett 50/51 (1997), 219-223 (English).

Niezabitowska, Malgorzata and Tomaz Tomaszewski. Remnants: The Last Jews of Poland. New York: Friendly Press, 1986.

Nochlin, Linda and Tamar Garb ed. The Jew in the Text: Modernity and the Construction of Identity. London: Thames and Hudson, 1995.

Nochlin, Linda. The Politics of Vision: Essays in Nineteenth- Century Art and Society. New York: Harper and Row, 1989.

Noren, Catherine Hanf. The Camera of My Family. New York: Alfred A.Knopf, 1973, 74, 76.

Novick, Peter. The Holocaust in American Life. New York: Houghton Mifflin, 1999.

Ofer, Dalia and Lenore J. Weitzman ed. Women in the Holocaust. New Haven: Yale University Press, 1998.

Ofrat, Gideon. One Hundred Years of Art in Israel. Boulder, Colorado: Westview Press, 1998.

Olin, Margaret. "Nationalism, the Jews, and Art History," Judaism (Fall 1996), 180.45, 461-482.

Orlove, Ben. In My Father's Study. Iowa City: University of Iowa Press, 1995.

Orvell, Miles. The Real Thing: Imitation and Authenticity in American Culture 1880-1940. Chapel Hill: University of North Carolina Press, 1989.

Osherow, Jaqueline. Dead Men's Praise. New York: Grove Press, 1999.

Owens, Bill. Suburbia. New York: Fotofolio, 1999.

Owens, Craig. Beyond Recognition: Representation, Power and Culture. Berkeley: University of California Press, 1992.

Pagis, Dan. "Ein Lieben," trans. Stephen Mitchell, The New Yorker (April 3rd, 1989).

Pagis, Dan. Points of Departure, trans. Stephen Mitchell. Philadelphia: Jewish Publication Society, 1981.

Pagis, Dan. Variable Directions, trans. Stephen Mitchell. San Francisco, North Point Press, 1989.

Partridge, Elizabeth, ed. Dorothea Lange: A Visual Life. Washington, DC: Smithsonian Press, 1994.

Pellegrini, Ann. Performance Anxieties: Staging Psychoanalysis, Staging Race. New York: Routledge, 1997.

Penny, Nicholas. Frames. London: National Gallery Publications, 1997.

Perez, Gilberto. The Material Ghost: Films and their Medium. Baltimore: Johns Hopkins University Press, 1998.

Perreault, Jeanne. Writing Selves: Contemporary Feminist Autobiography. Minneapolis: University of Minnesota Press, 1995.

Petchesky, Rosind Pollack. "Fetal Images: The Power of the Visual Culture in the Politics of Reproduction," Feminist Studies 13.2 (Summer 1987), 263-292.

Phelan, Peggy. "Feminist Theory, Poststructuralism, and Performance," The Drama Review, TDR 32.1 (Spring 1988), 107-27.

Phelan, Peggy. Mourning Sex: Performing Public Memory. London and New York: Routledge, 1997.

Phelan, Peggy. "Offensive Plays, Money Talks, Again," TDR 35.3 (1991), 131-142.

Phelan, Peggy. "Serrano, Mapplethorpe, the NEA, and You, 'Money Talks': October 1989," TDR 34.1 (Spring 1990), 4-14.

Phelan, Peggy. Unmarked: The Politics of Performance. London and New York: Routledge, 1993.

Photo Review 19.4 (Fall 1996).

Peskowitz, Miriam and Laura Levitt. Judaism Since Gender. New York: Routledge, 1997.

Pinsky, Robert. "Instruments of Memory," The Forward (January 14th, 2000), 11.

Poe, Edgar Allen. "The Purloin Letter," in The Complete Works of Edgar Allan Poe, volume VI. James A. Harrison ed. New York: AMS Press, 1965, 28-52.

Polenberg, Richard. One Nation Divisible: Class, Race and Ethnicity in the United States Since 1938. New York: Penguin, 1980.

Porton, Richard. "American Dreams, Suburban Nightmares," Cineaste 20.1 (1993), 12-15.

Prell, Riv Ellen. Fighting to Become Americans: Jews, Gender and the Anxiety of Assimilation. Boston: Beacon, 1999.

Price, Mary. The Photograph: A Strange Confined Space. Stanford: Stanford University Press, 1994.

Price, Sally. Primitive Art in Civilized Places. Chicago: University of Chicago Press, 1989.

Przblyski, Jeannene. "Moving Pictures: Photography, Narrative, and the Paris Commune of 1871," Cinema and the Invention of Modern Life, Leo Charney and Vanessa Schwartz, ed. Berkeley: University of California Press, 1995, 253-278.

Quart, Leonard. "The Triumph of Assimilation: Ethnicity, Race and the Jewish Moguls," Cineaste 18.4 (1991), 8-11.

Rabaté, Jean-Michel, ed. Writing the Image After Roland Barthes. Philadelphia: University of Pennsylvania Press, 1997.

Radner, Gilda. The Gilda Radner Cut-Out Doll Book. New York: Avon Books, 1979.

Ramazani, Jahan. Poetry of Mourning: The Modern Elegy from Hardy to Heaney. Chicago: University of Chicago Press, 1994.

Rapaport, Herman. "Of the Eye of the Law," in Unruly Examples: On the Rhetoric of Exemplarity. Alexander Gelley, ed. Stanford: Stanford University Press, 1995, 303-323.

Rapaport, Herman. "Who Owns the Transference?" Annals of Scholarship 12.3/4 (1998), 19-28.

Ratcliff, Carter. "Collapsing Hierarchies: Photography and Contemporary Art," Aperture 125 (Fall 1991), 36-41.

Ravett, Abraham. "Half Sister," film. Amherst MA: Hampshire College, 1985.

Ravett, Abraham. "In Memory," film. Amherst MA: Hampshire College, 1993.

Raz, Hilda, ed. The Prairie Schooner Anthology of Contemporary Jewish American Writing. Lincoln: University of Nebraska Press, 1997.

Reagan, Leslie J. When Abortion was a Crime: Women, Medicine, and the Law in the United States, 1867-1973. Berkeley: University of California Press, 1997.

Reardon, Valerie. "Avoiding Difference, Illuminations: Women, Writing and Photography," review essay, Afterimage (January/February 1998), 17.

Renov, Michael and Erika Suderburg, ed. Resolutions: Contemporary Video Practices. Minneapolis: University of Minnesota Press, 1996.

Rich, Adrienne. Blood, Bread and Poetry: Selected Prose 1979-1985. New York: W.W. Norton, 1986.

Rich, B. Ruby. "Times When Less is More," The New York Times (August 6, 2000).

Riesman, David. "Suburban Sadness," The Suburban Community, William Dobriner ed. New York: Putnam, 1958, 375-408.

Rischin, Moses, ed. The Jews of North America. Detroit: Wayne State University Press, 1987.

Rochman, Hazel. Book review, No Pretty Pictures. New York Times Book Review (1998).

Rogin, Michael. Blackface, White Noice: Jewish Immigrants in the Hollywood Melting Pot. Berkeley: University of California Press, 1996.

Rogin, Michael. Ronald Reagan, the Movie and Other Episodes in Political Demonology. Berkeley: University of California Press, 1987.

Roiphe, Anne. 1185 Park Avenue: A Memoir. New York: Free Press, 1999.

Rose, Daniel Asa. Hiding Places: A Father and His Sons Retrace Their Family's Escape from the Holocaust. New York: Simon & Schuster, 2000.

Rosen, Jonathan. The Talmud and the Internet: A Journey between Worlds. New York: Farrar, Strauss and Giroux, 2000.

Rosen, Norma. Touching Evil. Detroit: Wayne State University Press, 1990.

Rosenbaum, Thane. Second Hand Smoke: A Novel. New York: St. Martins, 1999.

Rosenbaum, Thane. "A Witness at Dachau," review of Timothy W. Rosenkranz, Linda. 1999. My Life as a List: 207 Things about My (Bronx) Childhood. New York: Potter, 1999.

Rosenstone, Robert, ed. Revisioning History: Film and the Construction of a New Past. Princeton: Princeton University Press, 1995.

Roth, Philip. Patrimony: A True Story. New York: Simon and Schuster, 1991.

Rothenberg, Molly Ann and Joseph Valente. Critical Response 1, "Fashionable Theory and Fashion-able Women: Returning Fuss's Homospectatorial Look," Critical Inquiry 22 (Winter 1996), 372-382.

Rubin-Dorsky, Jeffrey and Shelley Fisher Fishkin, ed. People of the Book: Thirty Scholars Reflect on Their Jewish Identity. Madison: University of Wisconsin Press, 1996.

Ruby, Jay. Secure the Shadow: Death and Photography in America. Cambridge: MIT Press, 1995.

Rugg, Linda Haverty. Picturing Ourselves: Photography and Autobiography. Chicago: University of Chicago Press, 1997.

Ruoff, Jeffrey K. "Home Movies of the Avant-Garde: Jonas Mekas and the New York Art World," Cinema Journal 30.3 (Spring 1991), 6-28.

Ryack. The Last Survivor: In Search of Martin Zaidenstadt. New York Times Book Review (September 5).

Salamander, Rachel. The Jewish World of Yesterday 1860-1938. New York: Rizzoli, 1990.

Saltzman, Lisa. Anselm Kiefer and Art After Auschwitz. London: Cambridge University Press, 1999.

Samantrai, Ranu. "Old Borders and New Internationalisms: Thinking the Postcolonial in Britian," Secularisms, Janet Jakobsen and Ann Pellegrini, ed., forthcoming.

San Juan, E. "On the Limits of 'Postcolonial' Theory: Trespassing Letters from the 'Third World,'" Ariel 26.3 (July 1995), 89-115.

Santner, Eric. On the Psychotheology of Everyday Life: Reflections on Freud and Rosenzweig. Chicago: University of Chicago Press, 2001.

Santner, Eric. Stranded Objects: Mourning, Memory, and Film in Postwar Germany. Ithaca: Cornell University Press, 1990.

Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. New York: Oxford, 1985.

Scarry, Elaine. Dreaming by the Book. New York: Farrar, Straus and Giroux, 1999.

Scarry, Elaine. On Beauty and Being Just. Princeton: Princeton University Press, 1999.

Schiffman, Lisa. Generation J. San Francisco: Harper Collins, 1999.

Schlant, Ernestine. The Language of Silence: West German Literature and the Holocaust. New York: Routledge, 1999.

Schloff, Linda Mack. And Prairie Dogs Weren't Kosher: Jewish Women in the Upper Midwest Since 1855. St. Paul: Minnesota Historical Society Press, 1996.

Scholem, Gershom. The Correspondence of Walter Bejamin and Gershom Scholem 1932-1940. New York: Schocken, 1989.

Scholem, Gershom. From Berlin to Jerusalem: Memories of My Youth. New York: Schocken, 1980.

Schor, Naomi. Reading in Detail: Aesthetics and the Feminine. London: Methuen, 1987.

Schreiber, Rachel, "Seized Images: Photography, Memory, and the Holocaust," New Art Examiner 24.7(April 1997), 22-25.

Schreier, Barbara A. Becoming American Women: Clothing and the Jewish Immigrant Experience, 1880-1920. Chicago: Chicago Historical Society, 1994.

Schulte-Sasse, Linda. The Third Reich: Illusions of Wholeness in Nazi Cinema. Durham: Duke University Press, 1996.

Schwartz, Delmore. In Dreams Begin Responsibilities and Other Stories. New York: New Directions, 1948(1978).

Schwartz, Hillel. The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles. New York: Zone Books, 1996.

Schwartz, Steven. "Magagascar," in Lies of the Fathers. Urbana: University of Illinois Press, 1991.

Seaton, Elizabeth. "Imitating Authorities: Theory, Gender, and the Photographic Discourse," Theory Rules: Art as Theory/Theory as Art, Jody Berland, Will Straw, David Thomas, ed. Toronto: YYZ Books and University of Toronto Press,1996, 157-175.

Sebald, W.G. The Emigrants. New York: New Directions, 1996.

Sebald, W.G. The Rings of Saturn. New York: New Directions, 1998.

Sebald, W.G. Veritigo. New York: New Directions, 1999.

"Seeing Things: Photography in Focus," Village Voice Literary Supplement 110 (November 1992).

Seidel, Michael. Exile and the Narrative Imagination. New Haven: Yale University Press, 1986.

"Sephardi and Mizrahi Women Write about Their Lives." Bridges, vol.7 no.1. (1997-98).

Sekula, Alan. Photography Against the Grain. Nova Scotia: The Press of the Nova Scotia College of Art and Design, 1984.

Sequoia, Anna. The Official J.A.P. Handbook. New York: New American Library, 1982.

Sequoia, Anna. The Official J.A.P. Paper Doll Book. New York: New American Library, 1983.

Shaked, Gershon. The Shadows Within: Essays on Modern Jewish Writers. Philadelphia: Jewish Publication Society, 1987.

Shandler. Jeffrey. While American Watches: Televising the Holocaust. New York: Oxford University Press, 1999.

Shapiro, Alan. The Last Happy Occasion. Chicago: University of Chicago Press, 1996.

Shapiro, Edward. A Time for Healing: American Jewry since World War II. Baltimore: Johns Hopkins University Press, 1992.

Shawcross, Nancy. Roland Barthes on Photography: The Critical Tradition in Perspective. Gainesville: University of Florida Press, 1997.

Shechner, Mark. ed. Perserving the Hunger: An Isaac Rosenfeld Reader. Detroit: Wayne State University Press, 1988.

Sherman, Daniel J. and Irit Rogoff ed. Museum Culture: Histories, Discourses, Spectacles. Minneapolis: University of Minnesota Press, 1994.

Shields, Carol. The Stone Diaries. New York: Penguin, 1994.

Shloss, Carol. In Visible Light: Photography and the American Writer 1840-1940. New York: Oxford University Press, 1987.

Shulman, Alix Kates. A Good Enough Daughter: A Memoir. New York: Schocken, 1999.

Siegel. Andrea. Open and Clothed: For The Passionate Clothes Lover. New York: Agapanthus Books, 1999.

Silbestein, Laurence, ed. Mapping Jewish Identities. New York: NYU Press, 2000.

Silverman, Kaja. The Threshold of the Visible World. New York: Routledge, 1996.

Simon, Kate. Bronx Primitive: Portraits in a Childhood. New York: Harper Colophone, 1982.

Simon, Linda. Review essay of I Could Tell You Stories, New York Times Book Review. (June 27, 1997).

Sklar, Marshall. American Jews/A Reader. New York: Behrman House, 1982.

Smith, Bonnie. The Gender of History: Men, Women and Historical Practice. Cambridge: Harvard University Press, 1998.

Smith, Lindsay. "The Politics of Focus: Feminism and Photographic Theory," New Feminist Discourses: Critical Essays on Theories and Texts. New York: Routledge, 1992, 238-262.

Smith, Shawn Michelle. American Archives: Gender, Race and Class in Visual Culture. Princeton: Princeton University Press, 1999.

Smith, Valerie. Not Just Race, Not Just Gender: Black Feminist Readings. New York: Routledge, 1998.

Sobieszek, Robert. Ghost in the Shell: Photography and the Human Soul, 1850-2000, Essays on Camera and Portraiture. Cambridge: LA County Museum and MIT Press, 1999.

Solnit, Rebecca. "Reframing America and From the West: Chicano Narrative Photography," Creative Camera (Feb/Mar 1996), 41.

Solotaroff, Ted. Truth Comes in Blows: A Memoir. New York: Norton, 1998.

Sontag, Susan. On Photography. New York: Anchor Books, 1977.

Sorkin, Gerald. A Time for Building: The Third Migration 1880-1920. Baltimore: Johns Hopkins University Press, 1992.

Soussloff, Catherine. ed. Jewish Identity in Modern Art History. Berkeley: University of California Press, 1999.

Spence, Jo. Cultural Sniping: The Art of Transgression. London: Routledge, 1995.

Spence, Jo and Joan Solomon, ed. What Can Women Do With a Camera? London: Scarlet Press, 1995.

Spence, Jo and Patricia Holland, eds. Review of Helen Grace Family Snaps: The Meaning of Domestic Photography and Valerie Walkerdine Schoolgirl Fictions, Screen 33.2 (Summer 1992), 227-232.

Spencer, Beth. Book review, The Critical Distance: Work with Photography/Politics/Writing.

Spiegelman, Art. Maus: A Survivor's Tale. New York: Pantheon, 1986.

Spiegelman, Art. Maus II: A Survivor's Tale, And Now Here My Trouble Began. New York: Pantheon, 1991.

Spitzer, Leo. Hotel Bolivia: The Culture of Memory in a Refuge From Nazism. New York: Hill and Wang, 1998.

Spitzer, Leo. Lives In Between: Assimilation and Marginality in Austria, Brazil, West Africa 1780-1945 Cambridge: Cambridge University Press, 1989.

Squiers, Carol. The Critical Image: Essays on Contemporary Photography. Seattle: Bay Press, 1990.

Squiers, Carol, ed. Over Exposed: Essays on Contemporary Photography. New York: The New Press, 1999.

Stange, Maren. "'Illusion Complete within Itself': Roy DeCarava's Photography," Yale Journal of Criticism 9.1 (1996), 63-92.

Steedman, Carolyn. Past Tenses: Essays on Writing, Autobiography and History. London: Rivers Oram Press, 1992.

Steiner, Wendy. Pictures of Romance: Form against Context in Painting and Literature. Chicago: University of Chicago Press, 1988.

Stewart, Garrett. "Photo-gravure: Death, Photography, and Film Narrative," Wide Angle 9:11, 11-31.

Stewart, Susan. On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. Durham: Duke University Press, 1993.

Steyn, Juliet, ed. Other than Identity: The Subject, Politics and Art. Manchester: Manchester University Press, 1997.

Steyn, Juliet. "Potentially ordinary but precisely extraordinary...," Women's Art Magazine, London: no.65 (July/August 1995), 27.

Stier, Oren Baruch. "Memory Matters: Reading Collective Memory in Contemporary Jewish Culture," Prooftexts 18 (1998), 67-94.

Stier, Oren Baruch. "Virtual Memories: Mediating the Holocaust at the Simon Wiesenthal Center's Beit Hashoah-Museum of Tolerance," AAR Journal 64:4 (Winter 1996), 831-852.

Stugis, Alexander. Faces. London: National Gallery Publications, 1998.

Sturken, Marita. Tangled Memories: The Vietnam War, the AIDS Epidemic and the Politics of Remembering. Berkeley: University of California Press, 1997.

"Suburbs Rule: How the New Suburban Majority is Changing America," The New York Times Magazine (April 9, 2000).

Suleiman, Susan Rubin. Budapest Diary: In Search of the Motherbook. Lincoln: University of Nebraska Press, 1997.

Suleiman, Susan Rubin. Risking Who One Is: Encounters with Contemporary Art and Literature. Cambridge: Harvard University Press, 1994.

Sultan, Larry. Pictures from Home. New York: Abrams, 1992.

Tagg, John. The Burden of Representations: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press, 1993.

Tal, Kali. Worlds of Hurt: Reading Literatures of Trauma. New York: Cambridge University Press, 1996.

Taylor, Lucian, ed. Visualizing Theory: Selected Essays from V.A.R. 1990-1994. New York: Routledge, 1994.

Taitz, Emily and Sondra Henry. Remarkable Jewish Women: Rebels, Rabbis, and Other Women from Biblical Times to the Present. Philadelphia: The Jewish Publication Society, 1996.

Thomas, Alan. Time in a Frame: Photography and Nineteenth-Century Mind. New York: Schocken Books, 1977.

Thomas, Ronald. "The Dream of the Empty Camera: Image, Evidence, and Authentic American Style in American Photographs and Farewell, My Lovely," Criticism 34.3 (Summer 1994), 415-457.

Torgovnick, Marianna, ed. Eloquent Obsessions: Writing Cultural Criticism. Durham: Duke University Press, 1994.

Trachtenberg, Alan, ed. Classical Essays on Photograph. New Haven: Lette's Island Books, 1980.

Trachtenberg, Alan. Reading American Photographs: Images as History, Mathew Brady to Walker Evans. New York: Hill and Wang, 1989.

Tupitsyn, Margarita. The Soviet Photograph, 1924-1937. New Haven: Yale University Press, 1996.

Turner, G. "The Birth of Home Movies," American Cinematographer 77 (July 1996), 112.

Twigg, Reginald. "The Performative Dimension of Surveillance: Jacob Riis' How the Other Half Lives," Text and Performance Quarterly 12 (1992), 305-328.

Tydor Baumel, Judith. Double Jeopardy: Gender and the Holocaust. London: Vallentine Mitchell, 1998.

Umansky, Ellen. "An Artist Tries to Reclaim 'Hymietown,'" Forward (May 28, 1999).

Umansky, Ellen. "Jerusalem Syndrome and Other 'Narcissistic Delusions,'" Forward (June 4, 1999).

Valensi, Lucette and Nathan Wachtel. Jewish Memories, trans. Barbara Harshav, Berkeley: University of California Press, 1991.

Van Alphen, Ernst. Caught By History: Holocaust Effects in Contemporary Art, Literature, and Theory. Stanford: Stanford University Press, 1997.

Venltman, Chloe. "A muscial Chapter in the History of the Struggle for Civil Rights," The Forward (March 31, 2000).

Villanueva. "At the Holocaust Museum: Washington, D.C." Hopscotch: A Cultural Review 1.1 (1999), 20-23.

Vishniac, Roman. A Vanished World. New York: Farrar, Straus & Giroux, 1983.

Wajda, Shirley. "History Writing, With Light," Reviews in American History 26 (1998), 565-574.

Waldman, Diane and Janet Walker ed. Feminsm and Documentary. Minneapolis: University of Minnesota Press, 1999.

Walker, Janet. "The Traumatic Paradox: Documentary Films, Historical Fictions and Cataclysmic Past Events," Signs vol.22, no.4 (1997), 803-825.

Walkerdine, Valerie. School Girl Fictions. London: Verso, 1990.

Wallis Brian ed. Art After Modernism: Rethinking Representation. Boston: David R. Godine Publisher, Inc., 1984.

Wallis Brian ed. Blasted Allegories: An Anthology by Contemporary Artists. Cambridge: MIT Press, 1989.

Weiss, Ann. The Last Album: Eyes from the Ashes of Auschwitz-Birkenau. New York: W.W. Norton, 2001.

Wells, Liz. ed. Photography: A Critical Introduction. Second edition. New York: Routledge, 2000.

Wees, William. Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film. Berkeley: University of California Press, 1992.

Weisenfeld, Judith. "The Price of the Ticket: Projecting Post-War Pluralism," unpublished manuscript, 1998.

Wenger, Beth. "Memory as Identity: The Invention of the Lower East Side," American Jewish History 85:1 (1997), 3-27.

Wenger, Beth S. New York Jews and the Great Depression: Uncertain Promise. New Haven: Yale University Press, 1996.

Westbrook, Robert. "Lewis Hine and the Ethics of Progressive Camerawork," Tikkun 2.2 (1988), 24-29.

"The White Issue," Transitions 7.1 (1998).

Whiteley, Suzanne Mehler. Appel is Forever: A Child's Memoir. Detroit: Wayne State University Press, 1999.

Whitfield, Stephen. American Space, Jewish Time. Hamden, CT: Archon Books, 1988.

Wilkomirski, Binjamin. Fragments: Memories of a Wartime Childhood. New York: Schocken, 1996.

Williams, Val. "Fragile Innocence," British Journal of Photography vol. 139 (Oct 15, 1992), 10.

Williamson, Judith. "Family, Education, Photography," Culture/Power/History: A Reader in Contemporary Social Theory, Nicholas B. Dirks, Geoff Eley, Sherry B. Ortner ed., Princeton: Princeton University Press, 1994, 236-244.

Wisse, Ruth. "The Maturing of Commentary and the Jewish Intellectual," Jewish Social Studies 3.2(Winter 1997), 29-41.

Wistrich, Robert, ed. Terms of Survival: The Jewish World Since 1945. London: Routledge, 1995.

Wolf, Christa. Parting From Phantoms: Selected Writings, 1990-1994. Chicago: University of Chicago Press, 1997.

Wolfson, Paula Ethal and Lloyd Wolf. Jewish Mothers: Strength, Wisdom, Compassion. San Francisco: Chronical Books, 2000.

Wolin, Jeffrey. Written in Memory: Portraits of the Holocaust. San Francisco: Chronicle Books, 1997.

Wolitz, Seth L. "The Americanizatio of Tevye or Boarding the Jewish Mayflower," American Quarterly, 40.4(December 1988), 514-536.

Woodward, Richard, "The Disturbing Photography of Sally Mann," New York Times Magazine (September 27, 1992).

Worth, Sol. "Margaret Mead and the Shift from 'Visual Anthropology' to the 'Anthrology of Visual Communication,'" Studies in Visual Communication 6.1 (Spring 1980), 15-22.

"Writers, Children, Childhood," Salmagundi (Fall 1996), 112.

Wyschogrod, Edith. An Ethics of Remembering: History, Heterology and the Nameless Others. Chicago: University of Chicago Press, 1998.

Yans-McGlaughlin, Virginia. "Metaphors of Self in History: Subjectivity, Oral Narrative, and Immigration Studies," in Immigration Reconsidered: History, Sociology and Politic, Virginia Yans-McGlaughlin ed. New York: Oxford University Press, 1990, 254-290.

Young, James E., ed. The Art of Memory: Holocaust Memorials in History. Munich and New York: Prestel-Verlag with the Jewish Museum, 1994.

Young, James E. At Memory's Edge: After-Images of the Holocaust in Contemporary Art ad Architecture. New Haven: Yale University Press, 2000.

Young, James. "Designing a German Holocaust Memorial That Isn't 'Too German,'" The Forward, June 20, 1997.

Young, James. "Memory, Photography and the Holocaust," The Forward (July 21, 2000).

Young, James E. The Texture of Memory: Holocaust Memorials and Meaning. New Haven: Yale University Press, 1993.

Young, James E. "Towards a Received History of the Holocaust," History and Theory: Studies in the Philosphy of History, Theme Issue 36, no.4 (December 1997), 21-43.

Young, James E. Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation. Bloomington: Indiana University Press, 1988.

Zelizer, Barbie. Covering the Body: The Kennedy Assassination, the Media, and the Shaping of Collective Memory. Chicago: University of Chicago Press, 1992.

Zelizer, Barbie. Remembering to Forget: Holocaust Memory Through the Camera's Eye. Chicago: University of Chicago Press, 1998.

Zenner, Walter. "Common Ethnicity and Separate Identities: Interactions Between Jewish Immigrant Groups," Crosscultural Adaption, W.B. Gudykund and Y.Y. Kim ed. New York: Sage, 1987, 267-285.

Zimmermann, Patricia R., "Filming Adventures in Beauty: Pictorialism, Amateur Cinematorgraphy, and the Filmic Pleasures of the Nuclear Family from 1897-1923," Afterimage 14 (December 1986), 8-11.

Zimmermann, Patricia R., "Hollywood, Home Movies, and Common Sense: Amateur Film as Aesthetic Dissemination and Social Control, 1950-1962," Cinema Journal 27.4 (Summer 1988), 23-44.

Zimmermann, Patricia R. Reel Families: A Social History of Amateur Film. Bloomington: Indiana University Press, 1995.

Zimmermann, Patricia R. "Trading Down: Amateur Film Technology in Fifties America," Screen 29 (Spring 1988), 40-51.

Zinner, William. Inventing the Truth: The Art and Craft of the Memoir. New York: Houghton Mifflin, 1998.

Zipperstein, Steven. "Commentary and American Jewish Culture in the 1940s and 1950s," Jewish Social Studies 3.2 (Winter 1997), 18-82.

Zipperstein, Steven. Imagining Russian Jewry: Memory, History, Identity. Seattle: University of Washington Press, 1999.


home
about
subscribe
contact
archives
links
barnard center for research on women

©S&F Online, 2003.