Recommended Reading

Related to Michelle Citron’s Work:

Barthes, Roland. Camera Lucida. Translated by Richard Howard. New York: Hill and Wang, 1981.

Citron, Michelle. Home Movies and Other Necessary Fictions. Minneapolis: University of Minnesota Press, 1999.

Hertzberg, Arthur. The Jews In America: Four Centuries of an Uneasy Encounter. New York: Simon and Schuster, 1989.

Hirsch, Marianne. Family Frames: Photography, Narrative, and Postmemory. Cambridge MA: Harvard University Press, 1997.

Shearman, John. Only Connect . . . Art and the Spectator in the Italian Renaissance. Princeton NY: Princeton University Press, 1992.

On Muriel Hasbun’s Work:

Jacobson, Louis, “Her Past in Hiding”, Washington City Paper (Washington, DC), July 16, 1999, 50.

Mundos CreadosÑLatin American Photography, (exhibition catalog), Noorderlicht Photofestival 2002, The Netherlands, 2002.

Políticas de la Diferencia: Arte Iberoamericano fin de siglo, (exhibition catalog), Generalitat Valenciana, Spain, 2001.

Snow, K. Mitchell, “Landscapes of Light,” History of Photography (London) Vol. 23 No. 4, Winter 1999, pp. 364-369.

Sozanski, Edward J., “Redefining families in photos, portraits, The Philadelphia Inquirer, July 14, 2000, p. W32.

Related to Muriel Hasbun’s Work:

Abramowicz, Myriam, and Esther Hoffenberg. Comme Si C’était Hier (film).

“A Singular Universe: Rescuers and Hidden Children”, Dimensions, A Journal of Holocaust Studies, Vol. 7, Number 1, Anti-Defamation League, New York, 1993.

Calef, Noel (Nissim), Drancy 1941, Drancy la Faim, Serge Klarsfeld, ed. F.F.D.U.F., 1991.

Epstein, Helen, Children of the Holocaust. Penguin Books, 1979.

González, Nancie. Dollar, Dove & Eagle: One Hundred Years of Palestinian Migration to Honduras. Michigan University Press, Ann Arbor, 1991.

Halter, Marek. La Mémoire Inquiète. Ed. Robert Laffont, 1993.

Hirsch, Marianne. Family Frames: Photography, Narrative and Postmemory. Harvard University Press, 1997.

Hirsch, Marianne, ed. The Familial Gaze, University Press of New England, 1999.

Hirsch, Marianne, and Valerie Smith, ed. Signs: Journal of Women in Culture and Society, “Gender and Cultural Memory”, Volume 28, Number 1, University of Chicago Press, Autumn 2002.

Klarsfeld, Serge. Le Calendrier de la Persécution des Juifs en France 1940-44. Les Fils des Deportés Juifs de France & Beate Klarsfeld Foundation, Paris, 1993.

Klarsfeld, Serge. Memorial to the Jews Deported from France, 1983.

Langer, Lawrence L. Holocaust Testimonies: The Ruins of Memory, Yale University Press, New Haven and London, 1991.

Lesser, Jeff, and Ignacio Klich, ed. Arab and Jewish Immigrants in Latin America Frank Cass Publishers, 1998.

Meyers, Odette, “The Return of the Secret Jews”, in Remembering for the Future: The Impact of the Holocaust on Jews and Christians. Pergamon Press, 1989.

Perera, Victor. The Cross and the Pear Tree: A Sephardic Journey. Alfred A. Knopf, New York, 1995.

Valent, Paul, Child Survivors. William Henemann, Austalia, 1993.

Young, James E. The Texture of Memory: Holocaust Memorials and Meaning. Yale University Press, New Haven & London, 1993.

Young, James E. Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation. Indiana University Press, Bloomington and Indianapolis, 1988.

Zuccotti, Susan. The Holocaust, the French and the Jews. Basic Books, New York, 1993.

Related to Lorie Novak’s Work:
Artist’s Books + Exhibition Catalogues

Bourgeois, Louise. Album, artist’s book. New York: Peter Blum Edition, Blumarts, Inc., 1994.

Burke, Bill. Mine Fields, artist’s book. Atlanta: Nexus Press, 1995.

Cohen, Janie. Betrayal of Means/Means of Betrayal: Contemporary Art and the Photographic Experience, exhibition catalogue. Daytona Beach, FL: Southeast Museum of Photography, 1992.

Dorfman, Elsa. A Woman’s Photojournal, artist’s book. Boston: David R. Godine, 1974. See the online version.

Esders, Viviane, ed. Our Mothers: Portraits by 72 Women Photographers. New York: Stewart, Tabori, & Chang, 1996.

Flax, Carol. Some (M)Other Stories: A Parent(hetic)al Tale, artist’s Book. Daytona Beach, FL: The Southeast Museum of Photography, 1995.

Fondin, Jean. Boyhood photos of Jacques Henri Lartique. Switzerland: A. Guichard, 1966.

Galassi, Peter. The Pleasures and Terrors of Domestic Comfort, exhibition catalogue. New York: The Museum of Modern Art, 1991.

Geibert, Ronald. Parents, exhibition catalogue. Dayton, OH: Dayton Art Institute, 1992.

Geibert, Ron, Barry Rosenberg, and Kathleen Peoples. Family Portraits, exhibition catalogue. Dayton, OH: Wright State University, 1981.

George, Alice Rose, Abigail Heyman, Ethan Hoffman, eds. Flesh & Blood. New York: Picture Project, 1992.

Kozo, Carolyn and Kathy Kobayashi, eds. Shades of LA: Pictures from Ethnic Family Albums. New York, NY: The New Press,1996.

Lanyon, Andrew. Snap! A Family Album. London: Gordon, Fraiser, 1974.

Lartique, Jacques Henri. Diary of a Century. New York: Penguin Books, 1970.

Lesy, Michael. Time Frames: The Meaning of Family Pictures. New York: Pantheon Books, 1980.

Nordstrom, Alison Devine. Telling Our Own Stories: Florida’s Family Photographs, exhibition catalogue. Daytona Beach, FL: The Southeast Museum of Photography, 1997.

Nordstrom, Alison Devine. Re: Photography, Three Exhibitions, exhibition catalogue. Daytona Beach, FL: The Southeast Museum of Photography, 1994.

Scoates, Christopher. Make Yourself at Home, Race, Ethnicity, and the American Family, exhibition catalogue. Atlanta College of Art, 1995.

Siber, Mark, Fred W. Record, and Gilbert Wight Tilton. The Family Album; photographs of the 1890s & 1900s. Boston: D.R. Goldine, 1973.

Spence, Jo. “Beyond the Family Album,” in Ten 8:4 (Spring 1980).

Spence, Jo. Putting Myself in the Picture: A Political, Personal, and Photographic Autobiography. London: Camden Press, 1986.

Stack, Trudy Wilner and William Tolan. Family Matters: An Exhibition of Works by Sally Mann, Vince Leo, Melissa Shook, and Philip-Lorca diCorcia. Arizona State University Northlight Gallery, 1993.

Sultan, Larry. Pictures from Home, artist’s book. New York: Harry N. Abrams, Inc., 1992.

Underhill, Linn. Thirty Five Years / One Week, artist’s book. Rochester: Visual Studies Workshop Press, 1981.

Watterson, Bill. The Days are Just Packed. Kansas City: Andrews and McMeel, An Universal Press Syndicate Co., 1993.

Williams, Val. Who’s Looking at the Family, exhibition catalogue. Barbican Art Gallery London, 1994.

Willis, Deborah. Imagining Families: Images and Voices, exhibition catalogue. Washington, D.C.: The Smithsonian Institution, 1994.

“Self and Shadow”, Aperture 114. New York: Aperture, 1989.

Related to Lorie Novak’s Work:
Critical / Historical Writings

Bal, Mieke, Jonathan Crewe, and Leo Spitzer, eds. Acts of Memory: Cultural Recall in the Present. Hanover, NH: University of New England Press, 1999.

Barthes, Roland, translated by Richard Howard. Camera Lucida: Reflections on Photography. New York: Hill and Wang, The Noonday Press, 1981.

Berger, John. About Looking. New York: Pantheon Books, 1980.

Chalfen, Richard. Snapshot Versions of Life. Bowling Green, Ohio: Bowling Green State University Popular Press, 1987.

Chalfen, Richard. Turning Leaves: The Photograph Collections of Two Japanese American Families. University of New Mexico Press, 1991.

Coe, Brian and Paul Gates. The Snapshot Photograph: The Rise of Popular Photography 1888-1939. London: Ash and Grant Ltd., 1977.

Duras, Marguerite, translated by Barbara Bray. Practicalities: Marguerite Duras Speaks to Michel Beaujous. New York: Grove Weidenfeld, 1990.

Engel, Susan. Context is Everything: The Nature of Memory. New York: W H Freeman & Co, 1999.

Graves, Ken and Mitchell Payne. American Snapshots. Oakland, CA: Scrimshaw Press, 1977.

Greene, Jonathan, ed. The Snapshot, Aperture 19:1. Millerton, NY: Aperture, 1974.

Greenhill, Pauline. So We Can Remember: Showing Family Photographs. Ottawa: National Museums of Canada, 1981.

Harris, Alex, ed. A World Uninspected: Portraits of Southern Childhood. The University of North Carolina Press, 1987.

Hirsch, Julia. Family Photographs: Content, Meaning and Effect. New York: Oxford University Press, 1981.

Hirsch, Marianne, ed. The Familial Gaze, including an article on Collected Visions by Lorie Novak. Hanover, NH: University Press of New England, 1999.

Hirsch, Marianne. Family Frames: Photography, Narrative and Postmemory. Cambridge: Harvard University Press, 1997.

Hirsch, Marianne. “Resisting Images: Rereading Adolescence,” in Provoking Agents, Gender and Agency in Theory and Practice, ed. by Judith Kegan Gardiner. Urbana and Chicago: University of Illinois Press, 1995.

King, Graham. Say Cheese. New York: Dodd, Mead, & Co., 1984.

Kotre, John N. White Gloves: How We Create Ourselves Through Memory. New York: Free Press, 1995.

Kuhn, Annette. Family Secrets: Acts of Memory and Imagination. London: New York: Verso, 1995.

Newhall, Beaumont. The History of Photography from 1839 to the Present, revised and enlarged edition. New York: The Museum of Modern Art, 1982.

Ross, Bruce M. Remembering the Personal Past: Descriptions of Autobiographical Memory. New York: Oxford University Press, 1991.

Schacter, Daniel L. SEARCHING FOR MEMORY: The Brain, the Mind, and the Past. New York: Basic Books, 1996.

Simons, Elizabeth Radin. Student Words, Student Voices: Teaching Writing Through Folklore. Portsmouth, NH: Boynton/Cook Heineman, 1990.

Sontag, Susan. On Photography. New York: Dell Publishing, 1977.

Spence, Jo and Patricia Holland, ed. Family Snaps: The Meaning of Domestic Photography. London: Virago, 1991.

Willis, Deborah, ed. Picturing Us: African American Identity in Photography. New York: The New Press, 1994.

Zeitan, Steven J., Amy J. Kotkin, and Holly Cutting Baker. A Celebration of American Family Folklore: Tales and Tradition from the Smithsonian Collection. New York: Pantheon, 1982.

Zimmermann, Patricia R. Reel Families: A Social History of Amateur Film. Bloomington/Indianapolis: Indiana University Press, 1995.

Selected Publications (a bibliography composed by Joanne Leonard)

Joanne Leonard’s bibiliography will come soon!

Picturing American Jews: Photography, History and Memory
(a bibliography composed by Laura Levitt)

Abraham, Pearl. Giving Up America. New York: Riverhead Books, 1998.

Aciman, André. False Papers: Essays on Exile and Memory. New York: Farrar, Straus and Giroux, 2000.

Aciman, André. ed. Letters of Transit: Reflections on Exile, Identity, Language and Loss. New York: New Press, 1999.

Adams, Timothy Dow, ed. Special Issue “Autobiography, Photography, Narrative.” Modern Fiction Studies 40.3 (Fall 1994).

Adorno, Theodor. Minima Moralia: Reflections from Damaged Life. London: NBL, 1978.

Alcalay, Ammiel. Memories of Our Future: Selected Essays 1982-1999. San Francisco: City Lights, 1999.

Aletti, Vince. “Lesbian Domestics,” Out (April 1999).

Allen, Richard and Murray Smith, ed. Film Theory and Philosophy. Oxford: Clarendon Press, 1997.

Amerikaner, Phyllis and Rae Aronoff. The Jewish Paper Doll Book. Santa Barbara: The Learning Works, Inc., 1997.

Amishai-Maisels, Ziva. “Chagall’s White Crucifixion,” Museum Studies (17.2, 1991), 138-153.

Andrew, Dudley, ed. The Image in Dispute: Art and Cinema in the Age of Photography. Austin: University of Texas Press, 1997.

Antler, Joyce. The Journey Home: Jewish Women and the American Century. New York: Free Press, 1997.

Antler, Joyce, ed. Talking Back: Images of Jewish Women in American Popular Culture. Hanover: Brandeis University Press, 1998.

Antin, Mary. The Promised Land. New York: Penguin, 1997.

Antze, Paul and Michael Lambeck, ed. Tense Past: Cultural Essays in Trauma and Memory. New York: Routledge, 1996.

Armstrong, Nancy. Fiction in the Age of Photography: The Legacy of Bristish Realism. Cambridge: Harvard, 1999.

Armstrong, Nancy. “Fiction in the Age of Photography,” Narrative (January 1999), 37-55.

Armstrong, Nancy and Leonard Tennenhouse, ed. The Ideology of Conduct: Essays in Literature and the History of Sexuality. New York: Methuen, 1987.

Aron, Bill. From the Corners of the Earth: Contemporary Photographs of the Jewish World. Philadelphia, Jewish Publication Society, 1985.

Ash, Timothy Garton. The File: A Personal History. New York: Vintage.

“Autobiography, Photography and Narrative,” special issue, Modern Fiction Studies. 40.3 (Fall 1997).

Avedon, Richard. Richard Avedon: Evidence 1944-1994. New York: Random House, 1994.

Baigell, Matthew. Jewish-American Artists and the Holocaust. New Brunswick: Rutgers University Press, 1997.

Bal, Mieke, Jonathan Crew and Leo Spitzer, ed. Acts of Memory: Cultural Recall in the Present. Hanover: Dartmouth/New England Press, 1999.

Bal, Mieke. Double Exposure: The Subject of Cultural Analysis. New York: Routledge, 1996.

Bal, Mieke. “The Politics of Citation,” Diacrtics 21.1 (Spring 1991), 23-45.

Bal, Mieke, ed. The Practice of Cultural Analysis: Exposing Interdisciplinary Interpretation. Stanford: Stanford University Press, 1999.

Bal, Mieke. Reading “Rembrandt”: Beyond the Word-Image Opposition. Cambridge and New York: Cambridge University Press, 1991.

Balakian, Peter. Black Dog of Fate: A Memoir. New York: Broadway Books, 1997.

Ballerini, Julia. “Flip: The Homeless Child as Auteur,” Yale Journal of Criticism 8.2 (1995), 87-101.

Banfield, Ann. “Describing the Unobserved: Events Grouped Around an Empty Centre,” The Linguistics of Writing: ARguments Between Language and Literature, Nigel Fabb, Derek Attridge, Alan Durant and Colin MacCabe ed. Manchester: Manchester University Press, 1986, 265-285.

Barney, Tina. Friends and Relations: Photographs by Tina Barney. Washington, DC: The Smithsonian, 1991.

Barnouw, Dagmar. Germany 1945: Views of War and Violence. Bloomington: University of Indiana Press, 1996.

Barr, Terry. “Eating Kosher, Staying Closer,” Journal of Popular Film and Television 24 (Fall 1996), 134-144.

Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill and Wang, 1981.

Barthes, Roland. Image-Music-Text. New York: Hill and Wang, 1977.

Behar, Ruth. The Vulnerable Observer: Anthropology the Breaks Your Heart. Boston: Beacon, 1996.

Benjamin, Walter. Illuminations: Essays and Reflections. New York: Schocken, 1968.

Berger, John. About Looking. New York: Pantheon, 1980.

Berger, John. Ways of Seeing. London: Penguin, 1972.

Berger, John and Jean Mohr. Another Way of Telling. New York: Vintage, 1982.

Berger, Joseph. Displaced Persons: Growing Up American After the Holocaust. New York: Scribners, 2001.

Bergland, Betty. “Rereading Photographs and Narratives in Ethnic Autobiography: Memory and Subjectivity in Mary Antin’s The Promised Land,” in Memory, Narrative, and Identity: New Essays in Ethnic American Literatures, Amrtjit Singh, Joseph Skerett and Robert Hogan ed. Boston: Northeastern University Press.

Berman-Carton. “Negotiating the Categories, Sara Bernhardt and the Possibilities of Jewishness,” Art Journal 55 (Summer 1996), 55-64.

Bernstein, Michael André. Foregone Conclusions: Against Apocalyptic History. Berkeley: University of California Press, 1994.

Bershel, Sara and Allen Graubard. Saving Remnants: Feeling Jewish in America. Berkeley: University of California Press, 1992.

Bilski, Emily, ed. Golem! Danger, Deliverance and Art. New York: The Jewish Museum, 1988.

Black, Judith and Joanne Lukitsh. review essay of The Familial Gaze, ed. Marianne Hirsch, Visual Resources 15 (2000), 455-460.

Blocker, Jane. Where is Ana Medieta? Identity, Performativity, and Exile. Durham: Duke University Press, 1999.

Boltanski, Christian. Catalogue: Books, Printed Matter, Ephemera 1966-1991. (Jennifer Flay, ed.) Frankfurt: Walther Kšnig, 1992.

Bolton, Richard, ed. The Contest of Meaning: Critical Histories of Photography. Cambridge: MIT Press, 1989.

Booth, Allyson. Postcards from the Trenches: Negociating the Space between Modernism and the First World War. New York: Oxford University Press, 1996.

Bourdieu, Pierre. The Logic of Practice. Stanford: Stanford University Press, 1980.

Bourdieu, Pierre. Photography: A Middle-brow Art. Stanford: Stanford University Press, 1990.

Bowlby, Rachel. “Domestication,” in Feminism Beside Itself, Diane Elam and Robyn Wiegman, ed. New York: Routledge, 1995, 71-91.

Bowlby, Rachel. Just Looking: Consumer Culture in Dreiser, Gissing and Zola. New York: Metheun, 1985.

Boyarin, Jonathan and Daniel Boyarin, ed. Jews and Other Differences: The New Jewish Cultural Studies. Minneapolis: University of Minnesota Press, 1997.

Brahm, Laura. review essay of Immigrant Acts: On Asian American Cultural Politics by Lisa Lowe; and Fighting to Become Americans: Jews, Gender, and the Anxiety of Assimilation by Riv Ellen Prell. Women’s Rview of Books 16.9 (June 1999), 22-23.

Braiterman, Zachary. “Against Holocaust-Sublime: Naive Reference and the Generation of Memory,” History and Memory (Fall 2000), 7-28.

Braiterman, Zachary. (God) After Auschwitz: Tradition and Change in Post-Holocaust Jewish Thought. Princeton: Princeton University Press, 1998.

Brenner, Frederic. Jews/America/ a Representation. New York: Abrams, 1996.

Brenner, Frederic. A Moment Before: Jews in the Soviet Union. New York: International Center of Photography, 1992.

Breitbart, Eric. A World on Display 104: Photographs from the St. Louis World’s Fair. Albuquerque: University of New Mexico Press, 1997.

Bumiller, Elisabeth. “After 50 Years of Struggle, Redemption, The Difficult Journey to a Holocaust Museum in New York,” New York Times (September 14, 1997).

Cadava, Eduardo. Words of Light: Theses on the Photography of History. Princeton: Princeton University Press, 1997.

Camhi, Leslie. “Exploring a Family’sÑand a Nation’sÑPast,” The Forward (February 6, 1998).

Camhi, Leskie. “Capturing the Face of a Nation of Strangers,” The Forward (June 13, 1997).

Cammy, Justin D. “Rewriting the Myth of America in Their Own Image, review of Enlarging America: The Cultural Work of Jewish Literary Scholars, 1930-1990, Susanne Klingenstein,” Forward (May 7, 1999).

Camper, Fred. “Some Notes on the Home Movie,” Journal of Film and Video, 38 (Fall/Summer 1986), 9-13.

Carmody, Jim. “Reading Scenic Writing: Barthes, Brecht, and Theatre Photography,” Journal of Dramatic Theory and Criticism 5.1 (1990), 25-38.

Cavalio, Diana. The Lower East Side: A Portrait in Time. New York: Crowell-Collier Press, 1971.

Chalfen, Richard. “Home Movies as Cultural Documents,” in Film/Culture: Explorations of Cinema in its Social Context, Sari Thomas, ed. Metuchen, NJ: The Scarecrow Press, 1982.

Chalfen, Richard. Snapshot Versions of Life. Bowling Green Ohio: Bowling Green State University Popular Press, 1987.

Cheyette, Bryan and Laura Marcus, ed. Modernity, Culture and ‘the Jew’. Stanford: Stanford University Press, 1997.

Chicago, Judy. Holocaust Project: From Darkness into Light. New York: Penguin, 1993.

Christ, Carol T. and John O. Jordan, ed. Victorian Literature and the Victorian Visual Imagination. Berkeley: University of California Press, 1995.

Cixous, Hélène. and Mireille Calle-Gruber. Hélène Cixous Rootprints: Memory and Life Writing. New York: Routledge, 1997.

Clemmen, Yves. “Photographic Construct and Narrative Imagination: An Approach in Contemporary French and American Literatures,” diss. Urbana: University of Illinois, 1987.

Cohen, David. ed. The Jews in America. San Francisco: Collins Publishers, 1989.

Cohen, Jocelyn. “Memory and Forgetting,” unpublished manuscript. Hanover NH: Dartmouth College, Narrative Conference, 1999.

Cohen, Richard. Jewish Icons: Art and Society in Modern Europe. Berkeley: University of California Press, 1998.

Cohen, Sarah Blacher. Jewish Wry: Essays on Jewish Humor. Bloomington: Indiana University Press, 1987.

Coles, Robert. Doing Documentary Work. New York: Oxford University Press, 1997.

Conn, Steven. Museums and American Intellectual, 1876-1920. Chicago: University Press, 1998.

“Contemporary Jewish Photoethnography: The Journey of Frederic Brenner,” panel. Boston: Association for Jewish Studies, 1996.

Cooley, Martha. The Archivist. New York: Little Brown, 1998.

Corrigan, Timothy. A Short Guide to Writing about Film, Second Edition. New York: HarperCollins, 1994.

Cowan, Neil and Ruth. Our Parent’s Lives: Jewish Assimilation and Everyday Life. New Brunswick: Rutgers University Press, 1996.

Cowan, Paul. “Orthodox in New York: A Journey Through the Year 5738,” Village Voice (April 24, 1978).

Cowell, Alan. “Jewish Treasures, Suitable for Mailing,” New York Times (December 5, 1996).

Crane, Stephen. The Open Boat and Other Stories. New York: Dover Publications, 1993.

Creekmur, Corey. “The Cinematic Photographic and the Possibility of Mourning,” Wide Angle 9:1, 41-49.

Crimp, Douglas. “Mourning and Militancy,” October 51 (Winter, 1989), 3-18.

Crimp, Douglas. On the Museum’s Ruins. Cambridge: MIT Press, 1993.

Cvetkovich, Ann. “Sexual Trauma/Queer Theory: Incest, Lesbianism, and Therapeutic Culture,” GLQ (1995), 351-377.

Cyprys, Ruth Altbeker. A Jump for Life: A Survivor’s Journey From Occupied Poland. New York: Continuum, 1997.

D. H. The Gift. New York: New Directions, 1969, 1982.

D’Alessandro, Stephanie. Still More Distant Journeys: The Artistic Emegrations of Lasar Segall. Chicago: Smart Museum of Art, 1997.

Davidov, Judith Fryer. Women’s Camera Work: Self/Body/Other in American Visual Culture. Durham: Duke University Press, 1998.

Davidson, Cathy N. “Photographs of the Dead: Sherman, Daguerre, Hawthorne,” The South Atlantic Quarterly, 89:4 (Fall 1990), 667-701.

Dayan, Joan. Haiti, History and the Gods. Berkeley: University of California Press, 1995.

Dean, Jeffrey. “Robert Hopkin’s Picture, Image, and Experience,” Film and Philosophy. 3.26 (June1999), review essay.

Delbanco, Nicholas. What Remains: A Novel. New York: Time Warner, 2000.

DeCarlo, Tessa. “Look at the Camera, Smile… Got It! Work of Art!” New York Times (July 5, 1998).

de Certeau, Michel, Luce Giard and Pierre Mayol. The Practice of Everyday Life, volume 2: Living and Cooking. Minneapolis: University of Minnesota Press, 1998.

de Man, Paul. “Autobiography As De-Facement,” The Rhetoric of Romanticism. New York: Columbia University Press, 1984, 67-81.

De Man, Paul. The Rhetoric of Romanticism. New York: Columbia University Press, 1984.

De Zegher, M. Catherine, ed. Inside the Visible: An Elliptical Traverse of 20th Century Art. Cambridge: MIT Press, 1996.

Derrida, Jacque. Archive Fever: A Freudian Impression. Chicago: University of Chicago Press, 1996.

Derrida, Jacques. “The Death of Roland Barthes,” Philosophy and Non-Philosophy Since Merleau-Ponty, Hugh Silverman ed. New York: Routledge, 1988, 259-345.

Derrida, Jacque. Specters of Marx: The State of the Debt, the Work of Mourning, & the New International. New York: Routledge, 1994.

Desowitz, Bill. “The Long Shadow of ‘The Sorrow and the Pity,'” New York Times (May 7, 2000).

Devereaux, Leslie and Roger Hillman, ed. Fields of Vision: Essays on Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press, 1995.

Diamond, Elin. “Mimesis, Milimcry, and the ‘True-Real,'” Modern Drama 32(1) (1989), 58-72.

Diamond, Elin, ed. Performance and Cultural Politics. London: Routledge, 1996.

Dienstag, Joshua Foa. Dancing in Chains: Narrative and Memory in Political Theory. Stanford: Stanford University Press, 1997.

Doty, Mark. Firebird: A Memoir. San Freancisco: Harper Collins. 1999.

Douglas, Susan. Where the Girls Are: Growing Up Female with Mass Media. New York: Times Books, 1994.

Dubner, Stephen. Turbulent Souls: A Catholic Son’s Return to His Jewish Family. New York: William Morrow.

Dubois, Philippe. “Photography Mise-en Film: Autobiographical (Hi)stories and Psychic Apparatuses,” Fugitive Images: From Photography to Video, Patrice Petro, ed. Bloomington: Indiana University Press, 1995, 152-172.

Durand, Régis. “How to See (Photographically),” in Fugitive Images: From Photography to Video, Patrice Petro, ed. Bloomington: Indiana University Press, 1995, 141-151.

Dusseault, Ruth. “Jeffrey Wolin: Portraits of the Holocaust,” Atlanta Arts Papers 19 (Sept/Oct 1995), 56.

Eakin, Paul John. Touching the World: Reference in Autobiography. Princeton: Princeton University Press, 1992.

Ecker, Gisela, ed. Feminist Aesthetics. Boston: Beacon Press, 1986.

Edvardson, Cordelia. Burned Child Seeks the Fire: A Memoir. Boston: Beacon Press, 1997.

Edwards, Harvey and Jody Avery. Fairfax: Where the Current Life Style Reflects the Past. Los Angeles: Copley Press West, 1976.

Eichler, Jeremy. “Eight Artists find Inspiration in History,” The Forward (February 12, 1999).

Eliach, Yaffa. There Once Was a World: A 9000-Year Chronicle of the Shtetl of Eishyshok. Boston: Back Bay, 1998.

Entin, Alan. “Photo Therapy: Family Albums and Multigenerational Portraits,” Camera Lucida 1.2 (Winter 1980), 39-51.

Epstein, Helen. “Diving into the Wreckage: Salvaging Family History from the Holocaust,” Nashim: A Journal of Jewish Women’s Studies and Gender Issues 2 (Spring 1999), 137-145.

Epstein, Helen. “Looking Back at the Families They Fled, review of Alix Kates Shulman A Good Enough Daughter and Anne Roiphe 1185 Park Avenue,” Forward (April 23, 1999).

Epstein, Helen. Where She Came From: A Daughter’s Search for Her Mother’s History. New York: Little Brown, 1997.

Eskin, Blake. “Accentuating the Negative, For Frédéric Brenner, Leaving the Diaspora Behind Does Not Mean an End to Exile,” The Forward (August 28, 1998).

Eskin, Blake. “Shimon Attie’s American Graffiti,” The Forward, (October 16,1998).

Ezrahi, Sidra DeKoven. Booking Passage: Exile and Homecoming in the Modern Jewish Imagination. Berkeley: University of California Press, 2000.

Ezrahi, Sidra, DeKoven. “Racism and Ethics: Constructing Alternative History,” in Humanity at the Limit: The Impact of the Holocaust Experience on Jews and Christians, Michael A. Signer, ed. Bloomington: Indian University Press, 1999.

Ezrahi, Sidra, DeKoven. “Representing Auschwitz,” History and Memory 7.2(Winter 1996), 121-155.

“Family Pictures: Shapes of Memory,” Conference. May 1996. Hanover, NH: Dartmouth College.

Farrell, Kerby. Post-traumatic Culture: Injury and Interpretation in the Nineties. Baltimore: Johns Hopkins University Press, 1998.

Feinberg, Anat. “Abiding in a Haunted Land: The Issue of Heimat in Contemporary German-Jewish Writing,” New German Critique (Winter 1997), 161-181.

Feingold, Henry. A Time for Searching: Entering the Mainstream 1920-1945. Baltimore: Johns Hopkins University Press, 1992.

Feinstein, Stephen C., ed and curator. Absence Presence: The Artistic Memory of the Holocaust and Genocide. Minneapolis: Center for Holocaust and Genocide Studies, University of Minnesota, 1999.

Feinstein, Stephen C., ed. Witness & Legacy: Contemporary Art about the Holocaust. Minneapolis: Lerner Publication Company, 1995.

Feld, Merle. A Spiritual Life: A Jewish Feminist Journey. Albany: SUNY Press, 1999.

Feldman, Shoshana and Dori Laub, ed. Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. New York: Routledge, 1992.

Felstiner, Mary Lowenthal. To Paint Her Life: Charlotte Salomon in the Nazi Era. Berkeley: University of California Press, 1997.

Fenyves, Charles. When the World was Whole: Three Centuries of Memoires. New York: Viking, 1990.

Ferguson, Jeanine Carol. “Developing Clichés: Walter Benjamin and Roland Barthes at the Limits of Photographic Theory,” diss. University of Minnesota, 1997.

Ferguson, Russell, William Olander, Marcia Tucker and Karen Fliss, ed. Discourses: Conversations in Postmodern Art and Culture. Cambridge: The New Museum of Contemporary Art and MIT Press, 1990.

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