IN THIS ISSUE
Introduction
by Ann Cvetkovich and Ann Pellegrini
About this Issue
by Janet Jakobsen and Deborah Siegel
Part 1
Archives of Trauma
Aftersight: Photographic Remains
I Took Pictures: September 2001 and Beyond
by Marianne Hirsch
The Missing Person Photos
by Peter Lucas
The September 11, 2001, Oral History Narrative and Memory Project:
A First Report
by Mary Marshall Clark
Afterwords: Testimony in the Public Sphere
“This Is How Pinochet Tortured Me”
by Jorge Ramos
Grounded Ethics: Afghanistan and the Future of Witnessing
by Anne Cubilié
Human Rights, Testimony, and Transnational Publicity
by Meg McLagan
Documenting AIDS Activism
AIDS Activism and the Oral History Archive
by Ann Cvetkovich
The Witness in the Archive
by Roger Hallas
AIDS: A LIVING ARCHIVE™
by Jean Carlomusto and Jane Rosett
Part 2
Performance Works
Audience Making: Affect and Effect
A Conversation with Anna Deavere Smith and Ann Pellegrini
An Evening with Sarah Jones and Jonathan Kalb
World Making: Performance and Cultural Formation
Private Trauma/Public Drama: Theater as a Response to International Political Trauma
by Steven Reisner
‘Where’s My Parade?’: On Asian American Diva-Nation
by Rachel C. Lee
Can You Hear Me?: The Female Voice and Cantonese Opera in the San Francisco Bay Area
by Daphne Lei
States of Play: Feminism, Gender Studies, and Performance
by Janelle Reinelt
What’s That Smell?: Queer Temporalities and Subcultural Lives
by Judith Halberstam
Feeling Public
Patricidal Memory and the Passerby
by Rebecca Schneider
The Question of Normal
by Sharon Holland
The Private Personality of the Public Classroom
by Jason Tougaw
Resisting Crisis: Trauma, Pedagogy and Survival
by Alyssa Harad
The Perfectly Ordinary Life
by Kathleen Stewart
