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Issue 16.2 | 2020 — Undiminished Blackness: Zora Neale Hurston as Theory and Practice

Hurston as Theory/Zora’s Avant-Garde

featuring Alex Alston, Patricia Stuelke, Mariel Rodney, and Autumnn Womack

Video from the symposium, ‘Hurston@125: Engaging with the Work and Legacy of Zora Neale Hurston,’ held at Barnard College (2016)

Read More from This Issue

Muddled Metaphoricity: Figurative Language, the Folk, and (Non)Human-Animality in Zora Neale Hurston’s Their Eyes Were Watching God

Issue 16.2 | 2020

Muddled Metaphoricity: Figurative Language, the Folk, and (Non)Human-Animality in Zora Neale Hurston’s Their Eyes Were Watching God

By Alex Alston

Staging Black Affects: Hurston’s “How It Feels to Be Colored Me”

Issue 16.2 | 2020

Staging Black Affects: Hurston’s “How It Feels to Be Colored Me”

By Mariel Rodney

Zora Neale Hurston: A Woman Half in Shadow (Reprint)

Issue 16.2 | 2020

Zora Neale Hurston: A Woman Half in Shadow (Reprint)

By Mary Helen Washington

Read More from S&F Online

Woman Writing Nation:<br>Uganda, FEMRITE, and “Holding on to the Memories”

Issue 7.2 | Spring 2009

Woman Writing Nation:
Uganda, FEMRITE, and “Holding on to the Memories”

By Kathryn Tobin

Young Feminists Take on the Family: A Panel Discussion

Issue 2.3 | Summer 2004

Young Feminists Take on the Family: A Panel Discussion

Annie Pootoogook

Issue 7.1 | Fall 2008

Annie Pootoogook

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Published by the Barnard Center for Research on Women

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Copyright 2024 © S&F Online
Published by the Barnard Center for Research on Women

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