IN THIS ISSUE
Introduction
by Monica L. Miller
About this Issue
by Tami Navarro
PART 1
Articles
Muddled Metaphoricity: Figurative Language, the Folk, and (Non)Human-Animality in Zora Neale Hurston’s Their Eyes Were Watching God
by Alex Alston
Decolonizing Mosquitoes: Processes and Experiments from the Periphery
by Adriana Garriga-López
Staging Black Affects: Hurston’s “How It Feels to Be Colored Me”
by Mariel Rodney
“Sympathy with the Swamp”: Reading Hurston in the Trumpocene
by Patricia Stuelke
Diaspora at the Dawn of the 20th Century: Embodied Knowledge and Politics Reconsidered
by Deborah A. Thomas
“The Brown Bag of Miscellany”: Zora Neale Hurston and the Practice of Overexposure (Reprint)
by Autumn Womack
Zora Neale Hurston: A Woman Half in Shadow (Reprint)
by Mary Helen Washington
PART 2
Videos: Hurston@125
Hurston@125: Opening Remarks
featuring Tina Campt, N.Y. Nathiri, Monica L. Miller, and Page West
Thick Depiction: How Taking Film Seriously Should Change Ethnography
by John L. Jackson, Jr.
Hurston as Theory/Zora’s Avant-Garde
featuring Alex Alston, Patricia Stuelke, Mariel Rodney, and Autumn Womack
Hurston as Anthropology
featuring Adriana Garriga-López, Tami Navarro, Sarah E. Vaughn, and Bianca Williams
Diaspora at the Dawn of the 20th Century
by Deborah A. Thomas
