“walkin on the edges of the galaxy”: Queer Choreopoetic Thought in the African Diaspora

In her 1978 essay, “takin a solo/ a poetic possibility/ a poetic imperative,” Ntozake Shange interrogates literatures and criticism that submit to demands of racial representation over the possibilities of creative expression. Critiquing US literary culture’s tendency to reward writers whose voices reinforce prefabricated models of blackness, Shange observes that that, “if you are… female […]