“walkin on the edges of the galaxy”: Queer Choreopoetic Thought in the African Diaspora

In her 1978 essay, “takin a solo/ a poetic possibility/ a poetic imperative,” Ntozake Shange interrogates literatures and criticism that submit to demands of racial representation over the possibilities of creative expression. Critiquing US literary culture’s tendency to reward writers whose voices reinforce prefabricated models of blackness, Shange observes that that, “if you are… female […]

“Everything you do . . .”: Recipes from Ntozake Shange’s Art/Work

“Cooking is the oldest of the arts.” —Jean-Antheleme Brillat-Savarin, The Physiology of Taste Cooking food and other rituals of daily life compose the corps/core of Ntozake Shange’s artistic praxis. This essay focuses on recipes as food for life in Shange’s performative art/work.[1] It analyzes her aesthetic practice as a form of nourishment and political empowerment. […]