Janet R. Jakobsen,
"Afterword"
(page 3 of 3)
Dominic Wetzel's reading of John Greyson's film Fig Trees,
similarly works through dislocaiton to undo the strict division between the secular and the
religious. Fig Trees does so by appropriating the religious
imagery of saints and sinners into a narrative about the struggle to
make AIDS treatment available around the world. We might ask why a
global struggle for AIDS treatment was necessary once the scientific
battle of developing effective drugs had been won, (even if the war of
preventing and curing the disease had not). How can treatment for an
otherwise fatal disease be available and yet not be accessible? Why
would life-saving treatment be out of reach for millions and millions of
people? To truly take on such questions requires capabilities—for
conceptualization alone—that are nearly otherworldly, and Fig
Trees turns to religious imagery in ways that are admittedly
dislocating of that imagery, but that also reconnect it to the struggle
for life. Just as passing can open doors to new
possibilities, this dislocation of religious imagery onto the ground of
an all too secular battle to make the fruits of science available on an
equitable basis, helps us to remember the stakes of life and death over
which that battle has been fought. Moreover, such dislocations open the
door not just of our memories about the AIDS epidemic, but also of new
ways to change the world.
Laura Levitt analyzes some of the reasons that the stakes of how we
understand the relation of religion and secularism can be so high. She
argues that accepting the commonsense story of secularization can lead
us to participate in and even promote forms of inclusion that actually
box in those who are different from dominant norms. She shows, for
example, how inclusion in the dominant U.S. narrative that separates the
secular from the religious or the church from the state, actually makes
it difficult to be a secular Jew: if Jews are secular, they're like
everyone else, making the claim for distinctive Jewishness harder to maintain. To be
included in the dominant narrative of secularism can erase
distinctiveness, and to be included in the dominant narrative of
religion can have similar effects. Levitt shows, for example, that when
Jews are included in the Judeo-Christian religiosity of the United
States, the distinctive text and the specific interpretive tradition of
the Hebrew Bible are ignored in favor of incorporation into the dominant
arc of Judeo-Christianity. For Levitt, the response to these conundrums
of liberalism in which inclusion is also exclusion, is to not to deride
the promise and allurement of such dominant narratives, but to take up
embodied practices that can address the affective aspects of the longing
for inclusion. Neither analysis nor critique will do away with the
allure of inclusion in dominant narratives. Embodied practices at both
the individual and social levels—including grief and mourning—might
offer hope for alternative possibilities. Levitt advocates opening "a
space that allows for more than simply a melancholic iteration ... [and]
risks imagining inclusion in new and more powerful ways." Here taking
up embodied practices can shift our ability to conceptualize the
relation between religion and secularism.
In the end, "Religion and the Body," concludes that there is much to
be gained from undoing settled understandings of the relation between
religion and the body. Certainly, refusing the standard divisions—that
between religion and secularism and many, many more—might create new
ways of understanding social relations, including relations that are
currently conflictual, difficult and painful. But, this striking
collection of essays also suggests that we take a step beyond simply
refusing to go along with the usual narratives and the divisions that
they enforce on our understandings of the world.
So, why think about religion and the body? Because, these essays
propose, to think about religion and the body together opens up multiple
possibilities for new understandings of the world around us and for new
imaginings of how that world might be differently organized. And these
possibilities do not run down any single path. In fact, these essays
demonstrate the variability of relations between religion and the body:
embodied practice might loosen our presumptions about religion (Levitt),
while understanding embodiment in a framework of religious ritual might
loosen our presumptions about bodily practices (Wilcox). Filmic
representations might shift our sense of embodiment and its
possibilities (Moallem) or they might take up religious representation
to new ends (Wetzel). Religious expectations of how the state will
respond to issues of embodiment may be confounded (Toor), even as
science may turn out to be more religious than originally expected
(Burlein). "Religion and the Body" advocates new critical
practices, including practices that are embodied. Along with analysis
and critique we might consider passing and playfulness, as well as
mourning and militancy, openness and vision. In so doing, the topic of religion
and the body (and the world itself) may get a whole lot more varied,
more inclusive, and more interesting.
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