Issue 10.3 | Summer 2012 / Guest edited by Jonathan Beller

Recommended Reading

Abu-Lugod, Lila. “Bedouins, Cassettes and Technologies of Public Culture.” Middle East Report 42. 264 (Fall 2012). Print.

Ahmed, Sara. “Affective Economies.” Social Text. 22.2 (Summer 2004). 117-139.

Alyokhina, Maria, Yekaterina Samutsevich, and Nadezhda Tolokonnikova. “Pussy Riot Closing Statements.” n+1. August, 2012. Online.

Ang, Ien. “Melodramatic Identification: Television Fictions and Women’s Fantasy.” Feminist Television Criticism. Ed. Charlotte Brunsdon and Lynn Spigel. 2nd ed. New York: Open
University Press, 2008. Print.

Arthurs, Jane. “Sex and the City and Consumer Culture: Remediating Post-feminist Dramas.” Feminist Television Criticism. Ed. Charlotte Brunsdon and Lynn Spigel. 2nd ed. New York: Open University Press, 2008. Print.

Azoulay , Ariella. The Civil Contract of Photography. New York: Zone, 2008. Print.

Brown, Jayna. “Buzz and Rumble: Global Pop Music and Utopian Impulse.” Social Text 102: The Politics of Recorded Sound 102 (Spring 2010).

Cheng, Anne Anlin. The Melancholy of Race: Psychonalysis, Assimilation, and Hidden Grief. Oxford: Oxford University Press, 2000. Print.

Chow-White, Peter, and Lisa Nakamura. Race After the Internet. New York: Routledge, 2012. Print.

Chua, Geok-lian and Elizabeth Maclachlan. “Defining Asian Femininity: Chinese Viewers of Japanese TV dramas in Singapore.” Feminist Television Criticism. Ed. Charlotte Brunsdon and Lynn Spigel. 2nd ed. New York: Open University Press, 2008. Print.

Chun, Wendy Hui Kyong. Programmed Visions: Software and Memory. Cambridge, MA: The MIT Press, 2011. Print.

Cixous, Hélène, and Susan Sellers. The Hélène Cixous Reader. New York, NY: Routledge, 1994. Print.

Clover, Carol. “Her Body, Himself.” Men, Women and Chain Saws: Gender in the Modern Horror Film. Princeton: Princeton University Press, 1992. Print.

Doyle, Jennifer and Amelia Jones. “New Feminist Theories of Visual Culture.” Signs. 31.3 (Spring 2006).

Everett, Anna. “On Cyberfeminism and Cyberwomanism: High Tech Mediations of Feminism’s Discontents” Signs 30.1 (2004).

Flusser, Vilem. Towards a Philosophy of Photography. London: Reaktion Books, 2005. Print.

Foster, Gwendolyn Audrey. Captive Bodies: Postcolonial Subjectivity in Cinema. Albany: SUNY Press, 1999. Print.

Fusco, Coco. A Field Guide for Female Interrogators. New York: Seven Stories, 2008. Print.

Goldsby, Jacqueline. A Spectacular Secret: Lynching in American Life and Literature. Chicago: University of Chicago Press, 2006. Print.

Halberstam, J. Jack. Gaga Feminism: Sex, Gender and the End of Normal. Boston: Beacon Press, 2012. Print.

Haraway, Donna. “A Cyborg Manifesto: Science Technology, and Socialist-Feminism in the Late Twentieth Century. Simians, Cyborgs and Women: The Reinvention of Nature. New York: Routledge, 1991. 149-181. Print.

Hayles, N. Katherine . How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University Press of Chicago, 1999. Print.

Ilouz, Eva. Cold Intimacies: The Making of Emotional Capitalism. Cambridge: Polity Press, 2007. Print.

Kristeva, Julia. “Woman is Never What We Say,” and “’unes femmes:’ The Woman Effect”

Linfield, Suzie. The Cruel Radiance: Photography and Political Violence. Chicago: University of Chicago Press, 2010. Print.

Marks, Laura. The Skin of the Film. Durham: Duke University Press, 2000. Print.

Marks, Laura. Touch: Sensuous Theory and Multisensory Media. Minneapolis: University of Minnesota Press, 2002. Print.

Mills, Mara. “Deaf Jam: From Inscription to Reproduction to Information.” Social Text 102: The Politics of Recorded Sound 102 (Spring 2010).

Modleski, Tania. “The Masters Dollhouse: Rear Window.” The Women Who Knew Too Much: Hitchcock and Feminist Theory. 2 (2005).

Modleski, Tania. “The Search for Tomorrow in Today’s Soap Operas.” Feminist Television Criticism. Ed. Charlotte Brunsdon and Lynn Spigel. 2nd ed. New York: Open University Press, 2008. Print.

Mulvey, Laura. “Visual Pleasure in Narrative Cinema.” A Critical and Cultural Theory Reader. Ed. Antony Easthope and Kate McGowan. 2nd ed. Toronto: University of Toronto, 2009. 168-76. Print.

Raley, Rita . Tactical Media (Electronic Mediations). Minneapolis: University of Minnesota Press, 2009. Print.

Reango, Allesandra.“Reification, Reanimation, and the Money of the Real.” World Picture 7 (Fall 2012).

Silverman, Kaja. The Subject of Semiotics. Oxford: Oxford University Press, 1983.

Spillers, Hortense J. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” Diacritics. 17.2 (Summer 1987): 64-81.

Stadler, Gustavus. “Never Heard Such a Thing: Lynching and Phonographic Modernity.” Social Text 102: The Politics of Recorded Sound 102 (Spring 2010).

Stoever-Ackerman, Jennifer. “Splicing the Sonic Color Line: Tony Schwartz Remixes Postwar Nueva York.” Social Text 102: The Politics of Recorded Sound 102 (Spring 2010).

Suisman, David. “Sound, Knowldege, and the “Immanence of Human Failure”: Rethinkinc Musical Mechanization through the Phonograph, the Player-Piano and the Piano.” Social Text 102: The Politics of Recorded Sound 102 (Spring 2010).

Tadiar, Neferti. “Remaindered Life of Citizen Man, Medium of Democracy.” Southeast Asian Studies 49.3 (2011).

Vazquez, Alexandra T.“Can You Feel the Beat? Freestyle’s Systems of Living, Loving, and Recording.” Social Text 102: The Politics of Recorded Sound 102 (Spring 2010).