About this Issue by Gisela Fosado
About the Contributors
Recommended Reading
Online Resources
The New Woman and the New Empire: Josephine Baker and Changing Views of Femininity in Interwar France by Tyler Stovall
The End of the Line: Josephine Baker and the Politics of Black Women's Corporeal Comedy by Daphne Ann Brooks
Colonial, Postcolonial, and Diasporic Readings of Josephine Baker as Dancer and Performance Artist by Mae Gwendolyn Henderson
The Use-Value of 'Josephine Baker' by Felicia McCarren
Adoptive Affinities: Josephine Baker's Humanist International by Jonathan Eburne
Josephine Baker, Performance, and the Traumatic Real by Walter Kalaidjian
Rediscovering Aïcha, Lucy and D'al-Al, Colored French Stage Artists by Michel Fabre
Body and Soul: Josephine, Jane and Paulette a lecture by Maryse Condé
After Josephine: Black American Women in the French Music Scene a multimedia presentation by Gretchen Holbrook Gerzina
And She Set the Stage for Us a dance performance by The Studio Museum in Harlem's "Hoofer's House" Dancers
